When a young caregiver is asked to take care of an elderly woman, she makes the most spine-chilling discovery of her life.
When Florence finds herself in The Waiting Room of hell, she must learn to forgive or face her final destination.
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.
A young college student is given a disturbing ultimatum when a dark secret from his past is resurrected.
Sparkling performances by Judy Garland, Lena Horne, Al Jolson, the teenage Dorothy Dandridge and the flash-dancing Nicholas Brothers light up this great documentary that originally aired on educational television. Using rare and never-before-seen footage, singer-pianist and musical historian Michael Feinstein hosts an informative look at the composers and lyricists who wrote America's standards from the 1890s through the mid-1950s.
Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.
While on a shopping trip, Grump smells Saimi, a woman who smells just right and throws the whole man in a state of confusion. The Grump would not have believed that his chest could still feel like a young boy's. The Grump has to admit that he enjoys Saimi’s company. The words, looks, and touch of another awaken long-forgotten feelings. The Grump’s sons are incredulous and downright jealous of their father, and they don’t want to trust Saimi’s sincerity… could she be after the inheritance? Family meetings, misunderstandings, moonlight swims, and sleepless nights. Indeed, Cupid's arrow can pierce even an old man's flannel shirt.
With the ghost of Delphine, a sociétaire who committed suicide several months earlier, still hanging over the place, an unexplained series of backstage murders occurs at the Comédie-Française. Domont and his associate Strozzi investigate at this famous institution, where power plays and rivalries are the norm.
The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.
Comedy Latvia annual stand-up celebration and awarding of the best comedians of 2022.
A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.
Thanasis, a rising movie star is excited about the new movie he is starring in. This movie is called FILM. The excessive ambitions and artistic vision of the director that will lead Thanasis to madness. He himself is determined to discover the secret of filming and ultimately the secret of life. In a film shooting nothing is as it seems.
Whether it's the biggest great white, the most photographed tiger shark, or the shark known for jumping 100 feet up out of the water, we're diving into the stories of the greatest shark stars of all time.
Guy gets mugged on horseback and left for dead; farmgal nurses him back to health and when he's on his feet again, he puts a domino on and swings into J J action.
The Police Academy misfits travel to Miami Beach for Commandant Lassard to be honored with a prestigious lifetime award pending his retirement. Things take a turn when Lassard unknowingly ends up in possession of stolen diamonds from a jewel heist.
Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists' agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.
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