The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
An old lady meets with a younger man.
With only sixty years of farmable soil left on Earth, and the increased threats of climate change, the need to rethink how we use earth’s natural resources has never been more important. The Need to Grow takes an intimate look into the hearts of activists and innovators in the food movement who are redesigning our future; an eight-year-old girl who challenges the ethics of a beloved organisation, a renegade farmer struggling to keep his land as he revolutionises resource-efficient agriculture, and an accomplished visionary inventor facing catastrophe in the midst of developing a game changing technology.
Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
A turbulent day in a life, painted by air.
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.
Eight woman, one life. Short animation by Sumito Sakakibara. The 9th Japan Media Art Festival Animation Division Grand Prize Winner
A depraved scientist falls madly in love with a young woman and turns her lover into a hideous monster for meddling in his diabolical plans.
In the near future of a Japan, the ancient 'Act of Vengeance' is revived and professional executioners are permitted to kill criminals by the requests from their victims. People who are to be executed are notified of the execution time and date in advance and they are allowed to have their own guard.
When a bulldog tells Jerry to "just whistle" any time that he needs him, Tom's in for big trouble until he puts earmuffs on the mutt.
At 29 Acacia Road, lives Eric Wimp, an ordinary schoolboy who leads an exciting double life. For when Eric eats a banana, an amazing transformation occurs - Eric becomes Bananaman - ever alert for the call to action!
This Best Short Subject Academy Award winning film begins in the spring of 1940, just before the Nazi occupation of the Benelux countries, and ends immediately after the Japanese attack on Pearl Harbor. It chronicles how the people of "Main Street America", the country's military forces, and its industrial base were completely transformed when the decision was made to gear up for war. Original footage is interspersed with contemporary newsreels and stock footage.
Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.
The matriarch of a rural Kentucky family takes issue with her daughter's boyfriend at a gathering to view the total solar eclipse.
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