Overview of the 1958 British Grand Prix by Shell-Mex and BP. Wonderful 1950's colour film
"Man of Arran" is a cinematic exploration of the beauty of Ireland's coastline, juxtaposed with the inner strength of 83-year-old Paddy Conaghan, a man who refuses to let age define him. Embarking on an extraordinary adventure: circumnavigating Ireland, diving into winter seas, literally immersing himself in Irelands rugged coastal beauty, and promoting the cause of mental health awareness. Through, stunning visuals, heartfelt interviews, and Paddy's captivating storytelling, Man of Arran aims to transport the audience into Paddy's world and his mission.
The story of those Italian women who, for eighty years, have fought against power in all its forms.
Tells the mythical tale of a woman driven by power who is willing to do anything to get it.
In a unique journey across Britain by helicopter, Christine Bleakley and historian Dr Michael Scott tell the story of what life was like for Romans and Britons 2000 years ago.
In this thought-provoking documentary, prominent scientists Marie-Joséphe Deshayes and Anne Dambricourt Malassé theorize that genetics, not environment, fueled early human evolution -- and still do.
Based on the novel by Venezuelan writer Enrique Bernardo Núñez, the film tells the story of engineer Leiziaga discovering his historical doubles in the context of the colonization of the island of Cubagua in Venezuela. In this way, two stories are intertwined: one that takes place in the 16th century and another in the 20th century. The first story focuses on the life of the Spanish settlers who arrived in Cubagua and the exploitation of the indigenous peoples for pearl extraction; the second story, set in the 1920s, tells of Leiziaga's archaeological expedition, financed by a multinational oil company, in which he visits the island to study the ruins of the Spanish settlement, which leads him to reflect on the passage of time and the destruction caused by human exploitation, and through a game of mirrors, to realize the relationships between the past, present and future.
Al-Shaima, the sister of the Prophet Muhammad in infancy, except in Bani Saad between her mother, Halima al-Sa’dia and her father, a family that acknowledges to the Prophet the goodness and blessing that has befallen their homes since he came as a baby, except for the stubborn Shaimaa who hates Muhammad hatred and buried hatred, the news of the Islamic call spreads, and Begad is allied with the enemies of Muhammad While Shaima Shadia Bani Saad, she is disappointed with the magic of her voice, Pijad and praises her tribe with the service of fighting Islam, migrating to Medina, and her husband is allied with the Jews from Bani Qurayza and Bani Nadir,
In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.
This 1981 Bolshoi production performed in the concert hall of The Kremlin is by far the best available, despite the more ‘historical’ picture and mono sound. The production itself is a very classic period production, with utterly authentic costumes and aptly dramatic sets. There are even horses on stage. The depiction of the Don Cossacks’ Khan Konchak and his tribe is colourful and historically informed in one. Needless to say, the scene of the Polovtsian Dances is spectacularly presented with great choregraphy and terrific dancing, in the league of the Spartacus of Bolshoi, no less.
After the Battle of Algiers, France and its army exported, as true experts, anti-subversive methods to Latin America and the United States in the 1960s. After more than a year of investigation in Argentina , in Chile, Brazil, the United States and France, the director collected, sometimes under the cover of a hidden camera, recorded conversations, the exclusive testimonies of the main protagonists. From General Aussaresses to former Minister of the Armed Forces Pierre Messmer, including General Reynaldo Bignone (head of the military junta in Argentina from 1982 to 1984), General Albano Harguindéguy, General Manuel Contreras, and Generals John Johns and Carl Bernard, this investigation gives us a hidden reality of the country of Human Rights.
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