A Sirens Call (2021)

Explorer

Sir Ranulph Fiennes is credited as being the World’s Greatest Living Explorer. Among his extraordinary achievements, he was the first to circumnavigate the world from pole to pole, crossed the Antarctic on foot, broke countless world records, and discovered a lost city in Arabia. He has travelled to the most dangerous places on Earth, lost half his fingers to frostbite, raised millions of pounds for charity and was nearly cast as James Bond. But who is the man who prefers to be known as just ‘Ran’?

Blooming over the line

Born in 1918 in the ideal village of independence activists in the northern part of Manchuria, pastor Moon Ik-hwan lost his childhood friend Yun Dong-ju under Japanese oppression and Chang Chun-ha during the Yusin regime. Moon survived the mass of modern Korean history, giving hope everywhere suffering.

Smilin' Through

The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen's aunt, Moonyean.

O Exterminador Entre Mundos

Antes que Amanezca

A series of murders in the state of Mexico raise the alarm regarding the presence of vampires, which according to experts, governments around the world are hiding.

Moving Day

A young girl discovers the secrets of her new home.

Booloo

White hunters in a Malayan jungle stalk a white tiger and bait their trap with a native girl. Captain Rogers to the rescue but falls for the Colonel's daughter.

Pomegranate Orchard

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.

Vrithakrithiyulla Chathuram

Manilal's journey through people after the disturbing demise of his father.

Chaos

A has been writer grappling with the fact that it’s time to give up his throne. The path he walked for so long, has come to an end. Can he accept his fate? Or is it still too early to put his foot down?

Hard Car - Desiderio sfrenato del piacere

A young woman watching accidentally killing an unknown in the offices of her lover. From now on she's on the run, chased by an SUV who seeks her after life. The woman is desperate to escape their fate and experienced a world of humiliation and fear. After being raped she takes her fate into their own hands - the hunted becomes the hunter.

Stevie

For a poet with a gift for crafting words into barbs, Stevie Smith lives a relatively conventional life. Sheltered in a London suburb, she spends her days engaged in tedious housework, crafting verse and conversing with her aunt. But while her body may be committed to drudgery, Stevie's mind is constantly trying to break free, which causes her to rail against religion and middle-class values, and prevents her from finding happiness with a man interested in her.

Motörhead: The Wörld Is Ours Vol 1 Everywhere Further Than Everyplace Else

In celebration of their 35 years on the road Motörhead is proud to present The Wörld Is Ours Vol 1 - Everything Further Than Everyplace Else, a blistering DVD containing some of the finest moments from the tour, including the entire performance from Chile's Teatro Caupolican, shot by Banger Films and Sam Dunn. Mixed by the band's long-time producer Cameron Webb, The Wörld Is Ours Vol 1 is stuffed with the classics Motörfans demand, from 'Overkill' to 'Ace Of Spades' to 'Killed By Death' as well as some old gems like 'Over The Top' and new favorites such as 'I Know How To Die.' The Wörld Is Ours Vol 1 gives you every click from every pick and kick from the band's supreme performance in Chile, plus some tasty morsels from New York's Best Buy Theater and the Manchester Apollo. The Wörld Is Ours Vol 1 is a pure testament to the power, glory and sheer voltage of the finest rock'n'roll played by real legends.

LOVE

A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.