Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
A wealthy woman puts a condition in front of her grandson Sami in order to get his worthy inheritance: to marry a girl who resembles one of her friends, and decides to start the journey to search for a girl with the required specifications, and show the desired girl, a girl from the Armenian community called Sivana.
Denis works as a bartender. Today, after closing the shift, he immediately goes home, because he has to meet his mother in the morning. But a friend's visit changes the plans for this night.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.
Crump directed the feature-length documentary film Black White + Gray: A Portrait of Sam Wagstaff + Robert Mapplethorpe, which premiered in North America at the 2007 Tribeca Film Festival and in Europe at Art Basel. It explores the influence curator Sam Wagstaff, photographer Robert Mapplethorpe and musician/poet Patti Smith had on the 1970s art scene in New York City.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
Jürgen likes Lisie. And Lisie also has a crush on Jürgen. Anton, Lisie's little boy, frankly doesn't like Jürgen. But Lisie just puts the boy in Jürgen's Passat. When he begins to tell a moralizing anecdote, the world outside the car changes unexpectedly...
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
Ma and Pa, along with daughter Rosie, go off to Hawaii in answer to cousin Rodney's call for help running his pineapple farm while he recovers from an illness. Pa soon causes a major explosion and gets himself kidnapped.
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