On a mysterious night, Eva, a pregnant woman, faces an internal struggle as she spirals into self-destructive behavior, confronting her own motherhood before an unexpected event changes everything.
Essay on love is, above all, an experimental film. A hybrid of fiction and documentary, it brings reality and fantasy to discuss that which is the most important thing for some, and the least important thing for others: Love. Love is actually in every place and human activity we look at: art, business, advertising, sports, entertaining, religion, education, politics, etc. What is this thing that is so present in our lives? Why we are so desperate in having, possessing, idealizing or despising love? Everyone talks about it. Creates songs about it. Declares themselves to be loving human beings... What do they mean with all of this? "Essay on love" gives you a glimpse on this subject. On how people relates themselves to the concept of love, and as a film, is an attempt to approach this wonderful thing that love is, through cinema.
A short and most personal experience on the flux of images and words. Brought to life like a dream, this world of images presents to you its own play.
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."
Here Come The Waves: The Hazards of Love Visualized" is an animated collaboration between the band and four filmmakers: Guilherme Marcondes, Julia Pott, Peter Sluszka and Santa Maria. The Los Angeles Times describes it as "a tumbling series of visuals with four distinct aesthetic styles. Peter Sluszka's ultra-slow motion capture of exploding mushrooms and elegantly disseminating seed pods … Julia Pott's line art of wolves and foxes hovering in geometric constellations … Guilherme Marcondes' renderings of skeletons caught among leafless branches and verdant human arms that unfurl like ferns… Santa Maria provides context…with cosmic, computer-generated vistas, cartoons of splintering bones.
A man takes the blame for a girl's crooked brother and weds her when her hand is amputated.
When HMS Scotia pays a visit to the French Riviera, the officers throw a lavish party to celebrate the engagement of Captain Robert Randall to Jill Eaton, a charming American girl; among the guests are Mary Carlton, Jill's American friend, and Antoinette, a vivacious redhead. However, when the last shore-boat is deemed unseaworthy, the girls are obliged to spend the night on ship. A series of hilarious complications ensue, as the officers attempt to keep the girls away from the beady eyes of Admiral Hewitt – who chooses this very night to board the Scotia.
A physicist celebrates a breakthrough in reversing the flow of time… until a haunting figure pays him a visit.
Flying Saucer Rock 'n' Roll, is a 12 minute spoof of a 1950s black and white science fiction B-movie. It was first released in 1997 and starred Ardal O'Hanlon. It was written by Mik Duffy and its director Enda Hughes. The title is taken from the 1957 Rockabilly novelty hit record "Flyin' Saucers Rock 'n' Roll" by Billy Lee Riley and His Little Green Men. O'Hanlan's "rendition" of the song, is performed by producer Michael Hughes.
Young Belgrade playboy, spoiled child of a rich family, changes for the better after spending some time in the army.
Loiseau the pharmacist mistakenly mixes potassium cyanide into a batch of cough syrup and sells five bottles. With horror he discovers his mistake and sets out to find the buyers. He finds only four. The fifth, not a regular customer, comes back to the pharmacy...
Simon, an adopted boy of a Danish couple visiting Kenya with his mother, goes missing in Kibera slum. When his mother offers a reward on TV, the kidnappers are on the run.
Asami-chan is ready for take-off.
As a wealthy retired surgeon nears the end of his life, he begins to distribute his wealth to those in need, stating that "all that I have belongs to God." His nephews bring him to court to determine his mental competence in the hopes of stopping him from disposing of all his money.
A Soundie with Harry Gibson.
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