End of a trilogy started with Hold up and continued with Hold On, Hold out questions the official narrative about the COVID-19 pandemic.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.
A tormented woman believes a rare planetary alignment is actually a cosmic message from her distant interstellar home.
A woman searches for her missing son in a remote wilderness with the help of her estranged husband and a Native American friend. When an evil creature starts to hunt them, their journey becomes a fight for survival.
The president of the United States is planning a visit to Mexico, and some local Islamic terrorists are going to be ready for him; they've kidnapped a nuclear scientist and a bomb expert to help them. Their leader (Eleazar Garcia, Jr.) goes head-to-head with the chief of the Mexican Secret Service, who has a secret weapon of his own in a beautiful Russian Special Agent ((Gabriela Del Valle). The fate of North America lies in the hands of this dynamic duo as they race to beat the clock in this harrowing tale featuring three of Mexico's favorite stars.
A dramatic and penetrating examination of the intellectual and moral standards existing at Oxford University, England, in the early 1970s.
An old woman begs a young men to carry her heavy bundle of firewood. The man refuses: he rather goes to sleep. The woman, who turns out to be a witch, punishes him with terrible apparitions.
Director Michael Almereyda's documentary on the weeks just prior to Sam Shepard's stage production of his play "The Late Henry Moss."
Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way through the city and eventually made it to the island. We followed each other around. We enjoyed ourselves. We said we were going to make a film about each other - and we did”. A & B in Ontario was completed eighteen years after the original material was shot. After Frampton's death, the film was assembled by Wieland into a cinematic dialogue in which the collaborators shoot each other with cameras.
A cow and her calf are bedding down for the night. The calf is frightened by a shadow, until it's revealed to be a jackrabbit. He follows the rabbit deep into the woods. Neither of them notices the wolf following.
As a wealthy retired surgeon nears the end of his life, he begins to distribute his wealth to those in need, stating that "all that I have belongs to God." His nephews bring him to court to determine his mental competence in the hopes of stopping him from disposing of all his money.
About the life in the celebrity and prostitution world. Only those who have been there know what it's like with the relationships with people, misunderstandings, conflicts, worries and sadness.
Can someone (or in this case, PWG, the best professional wrestling organization in the known universe) really "sell out" on three different occasions? Well, apparently it can happen!
THE BIG SHOT, a stunning new action short film. Made in the 3TC film/theatre class of an “average” high school.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Through the narration of a tenant of a block of flats on 288 Stournara street, we watch the everyday stories of people living in the city, their problems, their comic situations and their love affairs.
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