This film shows the gipsies' life in Hungary, the prejudices they are faced with when adapting themselves to society and the gipsies' ancient customs which often defy adaptation.
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."
The Hounds of Justice reunited, as they face the likes of the Miz, Braun Strowman and the Bar in the main event. Meanwhile, the under card looks to deliver their own sense of justice to their opponents.
A family tragedy causes a college football quarterback to re-think his goals in life.
Here Come The Waves: The Hazards of Love Visualized" is an animated collaboration between the band and four filmmakers: Guilherme Marcondes, Julia Pott, Peter Sluszka and Santa Maria. The Los Angeles Times describes it as "a tumbling series of visuals with four distinct aesthetic styles. Peter Sluszka's ultra-slow motion capture of exploding mushrooms and elegantly disseminating seed pods … Julia Pott's line art of wolves and foxes hovering in geometric constellations … Guilherme Marcondes' renderings of skeletons caught among leafless branches and verdant human arms that unfurl like ferns… Santa Maria provides context…with cosmic, computer-generated vistas, cartoons of splintering bones.
An instructive parable that the two principles right and wrong have common roots, and their interaction gives rise to unexpected situations that may strongly influence each other. But what will prevail? Friendship, commitment to certain ideals or individual interests, the benefits and the effort to find one’s place under the sun?
"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccinis other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccinis great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the worlds leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.
A documentary by photographer Sam Jones documenting American rock band Wilco recording their fourth album Yankee Hotel Foxtrot. Originally intended as a showcase of the band's creative process, the film crew catches unexpected complications between the band and its record label and problems among the band members themselves.
Marianne (34) discovers that her boyfriend Håkon is having an affair. Supported by her best friend's revenge tips, Marianne stumbles into her new life where she discovers that coziness is overrated and having fun is what matters.
Maurizio is a young journalist who works in a regional television. Luca is his cameraman. Tired of the daily routine imposed on him and of the assignments given by the owners Maurizio, decides to take a cue from reality to 'invent' stories that have a greater grip on the audience. Luca does not agree but Plays along. When their dangerous game seems about to be discovered, Maurizio has a new idea.
On the birthday of her late father, a deposed Maharaja, a displaced Indian princess living in London and his former private secretary watch home movies and reminisce about royal India.
Diana González works for the police and successfully eliminates narco dealers. One of the narco bosses, Constantino, decides to punish her by making Diana's sister to use drugs. This poor girl ends up dying in a S&M orgy. Now Diana is going to kill all those who wronged her with her Machinegun (La metralleta) while being pursued by drug dealers and the local police.
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