In the Volyn region, in a monastery of the XVI century, an old people’s home is located. However, mental patients and former criminals also live there.
A touching cinematic portrait of a woman who survived the 1933 Holodomor and whose life comprised more dramatic moments than a screenwriter could possibly describe. This is one of the first films raising the issue of the Great Famine.
Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.
A grieving young inventor finds solace in repairing an antique typewriter.
Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.
Ultra Music Festival 2015. In the middle of the pouring rain. Dash Berlin wrote history surprising the crowd with one of the most emotional, powerful and energetic sets the festival has ever seen and proved to be right at home at the big main stage.
Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.
In December of 2004, the bodies of a young couple were found in the middle of Dartmoor, a vast moorland that sits in the south western corner of the United Kingdom. The following film is made up of footage which was recovered eighteen years later.
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.
When a covert raid in Normandy goes wrong, a small team of British commandos are cut off from their comrades. Holed up in a barn and surrounded by Wehrmacht forces, their chances of survival appear bleak, until an unexpected discovery provides an opportunity to escape.
The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.
Kálmán Imre's beloved operetta comes to the screen in this comedy of music, marriage and class set in Budapest and Vienna before the outbreak of the First World War, recorded at the Budapest Opera in 1963.
A bunch of bootleggers run booze in the South.
Based on a Romanian folk story this is the modern interpretation of the story, set in modern Bucharest. Three brothers recently moved to the City. The elder brother and the sister shortly find their place in society but their younger brother seems to find hard to integrate, therefore the other two decide to help. Only that Bizo falls in love with the Gypsy King's daughter and decides to ask for her hand. The Father tries to trick him by putting him through three challenges, each one to demonstrate that he has all that it takes to be a proud gypsy: Dexterity, Guts and Money. Written by T.H.N.
The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
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