Night falls in the wasteland. Esther tries to protect her son Caesar, who has been attacked by a creature of the night. But the boy disappears and Esther goes off to search for him with her hunting dogs and crossbow.
With much of Mogwai’s recent output having fallen uncharacteristically flat, one could be forgiven for thinking that this release, a live album and DVD set, signals the once-great band finally running out of ideas. Yet while Special Moves/Burning offers nothing in the way of new material, it serves as a timely reminder of Mogwai’s immense talent and eternal ability to inspire.
It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.
During the Ming dynasty, Japan invaded China with an army equipped with guns. The union chief of the martial arts clans revealed in his deathbed that there is a rare book containing secrets that will make a person immune to gunfire. His last words sparked the clans to contend with each other to find it. Also in search of the book were the Japanese who dispatched a team of ninjas to go after the book. The imperial court also secretly intervened in this dispute. The emperor secretly dispatched a Kung fu Master and ordered him to find the book within seven days.
Ma and Pa, along with daughter Rosie, go off to Hawaii in answer to cousin Rodney's call for help running his pineapple farm while he recovers from an illness. Pa soon causes a major explosion and gets himself kidnapped.
Communism seen through the eyes of a young girl who watches her beloved uncle struggle with the oppressive government .
Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
India's capital Delhi is the center-point of this story, depicted as a degenerate and corrupt city with Members of Parliament with big criminal rap sheets, ruling the roost, transferring or killing honest police officers, promotion their own corrupt cops, openly collecting weekly bribes (haftas) from local businesses, pimps, prostitutes ET AL, even openly holding an auction for bidders to bid for areas for black-marketing purposes. Lala Khurana is the uncrowned king of Delhi and he runs it with the help of a Member of Parliament, & the Director General of Police. His advocate Chintamani Chaubey wants him to contest the next elections, ensuring his win, and making his own laws, appointing his own police officers, who will do his bidding, carrying on without any checks and balance. Khurana likes this idea, but feels he is getting too old, but would like his son, Devendra Kumar, to run and be the next State Chief Minister.
A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.
Ruth, 17 years old and in love, needs money to make her post-graduation get away with Julie. Carol, 14 and in love with math, needs money to get into the school of her dreams. Unfortunately, they both have the same problem—neither girl has any cash. When Carol discovers their mother’s secret cash stash, both girls are set on a trajectory of stealing and leaving the other behind. Only one girl can go, and only one person can stop them—their mother.
An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
When Cobra develops a secret bio-weapon on their hidden island base, GI Joe is called in to stop them. A daring invasion is executed with Snake-Eyes squaring off against Storm Shadow, his old nemesis. But the Joes learn that Cobra is a slippery snake when they fail to capture the bio weapon.
The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.
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