Cimarrón (2019)

Mutilación: Adiós, gracias por todo

Papá Iván

Dad Iván, is the testimony of the daughter of a Montonero guerilla leader that died during combat: Iván Roqué, the Iván in the title and father of the director. The documentary exposes in a moving way the difficult relationship between a daughter and her heroic, mythified father. At the same time it also becomes not only the reflection of a daughter but of an entire generation, about the feelings of abandoment, abscense, the tragedy, the exile and death. Feelings, ideas, dreams and facts are confronted. Tears are shed as much as admiration is expressed for the father, he is questioned as strongly as he is veneered.

The Revamping of Dracula

A behind-the-scenes look at the making of "Dracula" (1979).

Compulsion

A love triangle set in the heart of Mexico City where an impulsive egocentric TV producer, an ambitious neuroscientist, and a police detective desire love, and look for it in all the wrong places.

Kizuna: Much Ado About Nothing

In this third part of the series Enjouji and Ranmaru are a mostly-happy couple, but when Ranmaru finds lipstick on Enjouji, he becomes suspicious and leaves in a huff. Enjouji follows Ranmaru throughout the day. As they do so, the two men think about their past and their uncertain future.

Milk

A nice man takes the viewer through the top 10 ways in which to store milk.

Home on the Range

A cow and her calf are bedding down for the night. The calf is frightened by a shadow, until it's revealed to be a jackrabbit. He follows the rabbit deep into the woods. Neither of them notices the wolf following.

Eran cabrones los secuestradores

Informe+. Paulo Futre, El Portugués

VH1 Storytellers - Matchbox Twenty

Platinum hitmakers Matchbox Twenty hit the stage and tell the tales for the groundbreaking VH1 series, "Storytellers." Starting with their 1996 debut, "Yourself or Someone Like You," Matchbox Twenty has built a devoted following that continues to grow with each new record and tour. Filmed at New York City's Chelsea Piers, Matchbox Twenty perform their many hits including a stripped-down version of the timeless "3 A.M." with Rob Thomas at the piano. Songs: Bent, Mad Season, Black and White People, Push, If You're Gone, Crutch, Lonely Weekend, You Won't Be Mine, Rest Stop, 3 AM.

Primero yo

A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake.

Auferstanden aus Platinen - Die Heimcomputerszene in der DDR

Vivement Truffaut

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

End of Mourning

END OF MOURNING follows three men from different backgrounds and the effects that a missing child has on each one of them. Set against the backdrop of the Sonoran desert on both sides of the Arizona/Mexico border, END OF MOURNING is a story of redemption, revenge and morality.

Empire of Madness

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.