A compulsive gambler bets her freedom against a $16,000 debt to a crime boss…and loses. But before he can collect, she skips town, with a private detective hot on her trail.
Mystery writer Barry Craig (Allyn Joslyn) and his wife Jane (Evelyn Keyes), prefer solving crimes rather than writing about them. They get a chance when killings plague the fashion photography studio of Ralph McCormick (Edmund Lowe). After his secretary, Julie Taylor(Anita Louise) reports an attempt to murder her there, Erika McCormick's (Ann Savage) Aunt Isabel Fleming (Mary Forbes) is stabbed and the evidence points to Madge Lawrence (Bess Flowers) an older model and an apparent suicide. Police Inspector Joseph Clinton (Frank Craven) declares the case closed...but then Erika is murdered.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.
A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.
Photographing near Taos, New Mexico, where D.H. Lawrence lived, and in the room in which his ashes may be entombed, Brakhage also cites a statement of the writer's in connection with the film: "There must be mutation swifter than iridescence, haste, not rest, come-and-go, not fixity, inconclusiveness, immediacy, the quality of life itself, without denouement or close."
Nina is a successful TV star, but her life changes when she is diagnosed with cancer. Facing a personal crisis, she has to confront her deepest fears.
The movie takes place again in the fictional Wangan Station of the Tokyo Metropolitan Police Department the once empty space within Wangan's jurisdiction has become a popular tourist attraction. When a string of murders of company execs begins taking place, Aoshima jumps at the opportunity to pursue something other than his current case, which he finds less than inspiring. However the powers that be have other ideas, and Wangan again plays host to a special investigation team from headquarters. Aoshima's friend Superintendent Shinji Muroi, assigned by headquarters to assist Okita, is again powerless to help the local officers as decisions are made by the higher ups.
At the beginning of the 19th century a man and his son settle in Arizona which used to be a frontier state and full of criminals at that time.
Even today, Mathias Kneißl (1875-1902) is considered a national hero in the collective memory of Bavaria. During his lifetime, he was the most wanted criminal in Bavaria and even Prince Regent Luitpold was reported daily on the hunt for the lawbreaker report. Again and again Kneißl's story has occupied the Bavarian artists: his life was retold in folk songs and murders, sung in ballads, filmed and treated in various plays. In his feature film version, the Bavarian filmmaker Marcus H. Rosenmüller relies on a rapid staging, opulent images and a moving love story.
Mickey Mouse Monopoly takes a close and critical look at the world these films create and the stories they tell about race, gender and class and reaches disturbing conclusions about the values propagated under the guise of innocence and fun. This daring new video insightfully analyzes Disney's cultural pedagogy, examines its corporate power, and explores its vast influence on our global culture. Including interviews with cultural critics, media scholars, child psychologists, kindergarten teachers, multicultural educators, college students and children, Mickey Mouse Monopoly will provoke audiences to confront comfortable assumptions about an American institution that is virtually synonymous with childhood pleasure.
15-year-old Penelope (Penny) Wood has two great interests - Chuck Harris and the hope that some day she might become a famous,great writer. Chuck also has two interests - his home-made glider and the hope that some day he will go to Tech college. His indifference to Penny is her chief source of annoyance. Mervyn Roberts, Penny's uncle who is only five years older than she is, arrives home with a guest, Roger Van Vleck, and Penny falls for Roger's sophistication. Chuck, resentful, continues to work on his glider over his father's objections. His father wants it destroyed but Elmer Tuttle, their hired man, hides it.
A feature-length documentary on the life of one of the last surviving actresses from the golden age of Hollywood – Joan Collins. This epic film is told from the ringside as Joan narrates her rollercoaster life story with her inimitable wit and verve. A worldwide television phenomenon with her decade-defining role in Dynasty, Collins shares her extraordinary archive and never before seen home movie footage, giving an intimate glimpse into one of the world’s most iconic figures. Against a backdrop of Collins’s own narration, her story showcases the extraordinary life of a woman who has lived through the glitz, the glamour and the enduring moments of Hollywood history, and survived it all with panache.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.
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