An uplifting documentary that explores the human element behind Vietnam’s resurgence as one of the fastest growing economies in the world.
Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.
The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Russian front, January, 1943. It's hell: the flurries of sleet take the breath away and Sergeant Bisi can make out nothing in the landscape in front of him.
Although Chicken does not make an appearance, Chan Ho Nam finds a new love interest in the form of Mei Ling. Meanwhile, Tung Sing returns to cause trouble again for Hung Hing, in the form of new leader Szeto Ho Nam.
Mexican feature film
Don’t disturb the man in the cradle...
A fight breaks out over a poster.
Live archive release from the AOR giants. This set was captured live at the Casino Ballroom in Vina del Mar, Chile on February 23, 2004. The band's line-up during this tour includes Bobby Kimball, Steve Lukather, Greg Phillinganes, Mike Porcaro and Simon Phillips...SETLIST - Medley: (Girl Goodbye/Goodbye Eleanore/Child’s anthem/ll’l Supply/The Love) Stop Loving You I'll Be Over You Africa Waiting For Your Love Medley: (Georgy Porgy /Lion/Hydra/English Eyes/Till The End) Rosanna Hold The Line Home Of The Brave
Filmed in Hollywood's Pantages Theatre, Harry Connick, Jr. performs several Christmas classics from his first holiday album.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Ha-yeong is a successful psychologist. One day she gets a secretive request from her sister Ha-joo. Apparently Ha-joo's husband Woo-seong is refusing to have sex. Ha-yeong agrees to be their couple therapist but finds out that her brother-in-law actually has sexual desires for her and not her sister...
The Royal Shakespeare Company act (and sing and dance!) Shakespeare's play about two sets of identical twins, separated at birth and brought together by circumstance.
The only nuptial condition an inveterate chain smoker receives from his perfume-testing fiancee is to quit smoking. This poses a problem for the advertising agency ideas man for whom smoking is all part of the creative process.
Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
Pontianak Harum Sundal Malam 2 is the sequel to the movie of the same title in 2004. The story continues after the "pontianak" (banshee/vampire) has avenged her death by eliminating her murderer (Marsani) and his entire bloodline. The story also explains her possesion of her own daughter and the end of her revenge. The story also sees Meriam coming to terms with her death before releasing her daughter from possesion and dealing with the obsession of her killer's son (Zali). Although the movie is still classified in the horror genre, this sequel delves more into sad emotions compared to the rage inflicted in the first movie.
Recorded live on June 25th, 2004 in Vienna, Austria. Track 15 recorded live in 2004 at Circus Krone in Munich, Germany.
Activate your FREE Account!
You must create an account to continue watching