The story follows an office worker Mitsuki who is more devoted to her work than her own personal grooming. She decides to improve her appearance when she discovers that her boss Watanabe is leaving.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
Odoriko performances are intense, sometimes acrobatic choreographies, performed in sumptuous costumes—at least, until the costumes come off, because these dancers practice the Japanese form of striptease theater. The art was once popular, but is now seen only in a few clubs in the country. Filming on mini-DV tape, as if he is not actually in the room, director Yoichiro Okutani observes the unusual, traditional profession of the odoriko and the contrast with the modern, everyday questions the women struggle with.
Live recording at Parma Verdi Festival 6 October, 2008. Massimo Zanetti conducting Orchestra e Coro del Teatro Regio di Parma. Stage director Stefano Vizioli.
When a young princess, instead of being fully dedicated to her love, persists in running around like a tomboy and roaming the forests with her gang, and a young prince refuses to give up all his vices and mischief, an aquaphobic fairy takes their fate into her hands. The princess then falls in love with the prince, who declares eternal fidelity to her. When he however breaks this promise, the fairy turns him into a frog. With which the loyalty of the princess is being tested as well.
Haunted by horrific nightmares, Beverly seeks professional help to keep her sanity. She is desperate to find a way that will separate her nightmares from reality.
An honest and diligent inspector is murdered with his family. However, he survives the attack and is in coma for a while. When he exits coma, he takes revenge by murdering the villains one by one to avenge his loved ones who died at the hands of the villains.
Returning home from a trip to visit his mother, Nick discovers that a good friend of his, Sid, has apparently raped his girlfriend, Mary. More concerned with his own wounded pride than with Mary's lingering feelings of guilt, pain and betrayal, Nick vows revenge.
Filmmaker Jack Bond and Salvador Dali got together at Christmas 1965 to make Dali in New York, a highly entertaining film. Dali devoted two weeks of his life to creating extraordinary scenes for the film, performing "manifestations" with a plaster cast. A thousand ants and one million dollars in cash. When he confronts the feminist writer, Jane Arden, sparks fly. "You are my Slave! I am not your slave. Everybody is my slave." Dali recalls his meeting with Freud, "The last human relationship ever" About his wife, 'But for Gala I would be lying in a gutter somewhere covered with lice" Jim Desmond's dazzling cinematography captures the great artist painting as Flamenco virtuoso Manitas de Plata performs. Dali in New York is a rare treat for anyone who loves film and the living theatre of Dali's surreal universe.
Based on a song by the same name. It was the Genre Popularizer for the Rillumarei film and live entertainment genre that drew from the musical couplet genre of light, cleverly written, often satirical songs. Many of these films were based on an existing song, or a song was specifically written to be the foundation of a film.
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