Christmas in Dickensian London. Curmudgeon Ebenezer Scrooge is visited by three ghostly spectres. Their mission: his redemption.
What do Santa Claus and George Jetson have in common? They both have to work on Christmas eve! That mean old Mr. Spacely forces George to work late, while the family wonders what has happened to him, while Astro opens one of his presents early, breaks it, accidentally swallows a piece of it (a Spacely Sprockett) and becomes very ill. It seems the Jetsons may lose their Tiny Tim-like dog. Plus, Mr. Spacely is visited by his old partner, Jacob Marsley, who tells him of three spirits that will visit him. And they do, first the Past ghost robot who shows him young Spacely picking on young George, Present (which is an Xmas present) shows him of dying Astro, and Future shows the Jetsons very rich after sueing Mr. Spacely. When Spacely wakes up after seeing all this, he's a changed man! A sadder, wiser, nicer and happier Cosmo Spacely! At least until the next episode.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
A Los Angeles psychiatrist testifies for the prosecution in the trial of an accused child molester. Later the defendant, who is out on bail, is found dead in the psychiatrist's office, in what appears to be a suicide. Shaken, the psychiatrist moves to the mountains outside of L.A. Not long afterwards a detective he knows comes to him for help. A seven-year-old girl saw someone kill both of her parents, but is so traumatized by the event that she can't remember anything, and the detective wants the doctor to help jar her memory. Soon, however, the doctor and the detective discover that the parents' murder and the pedophiles "suicide" may be linked to a shadowy group of wealthy and influential pedophiles, and that the child isn't the only one whose life is in danger.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
Within the assertive climate of the years after the restoration of democracy in 1974, a fringe group, the blind, many of them beggars, protested by demanding Bread and Education and not Beggary.
Experts set out to prove that female great white sharks rule the ocean.
The film begins in a WW II training depot of a British Guards armoured regiment where recruits from many walks of life learn to survive the strict discipline and training together before going into battle in tanks. There is a cameo appearance by the real Sgt. Major Brittain who was famous in the British guards regiments.
Jued, a nightclub comedian, has a wife that's a bitch. Everyone he knows takes advantage of him and pushes him around. One day he finds and keeps a mysterious magical box. After that his life and relationships with everyone changes.
When he was a little boy, Dillon's rock musician father and hippie mother died in a traffic accident. Now in his twenties, Dillon wants nothing more than a normal, responsible life, working in an office and taking care of the grandmother who raised him. But his grandmother has other ideas, and Dillon finds himself lured into an alternate lifestyle of art, pleasure and rebellion.
Pansy is a woman tormented by anger and depression, hypersensitive to the slightest possible offence and ever ready to fly off the handle. She criticises her husband and their adult son so relentlessly that neither bothers to argue with her. She picks fights with strangers and sales clerks and enumerates the world's countless flaws to anyone who will listen, especially her cheerful sister Chantelle, who, despite their clashing temperaments, might be the only person still capable of sympathising with her.
Master gunslinger Sabata arrives in Hobsonville, a town completely owned by McIntock, a robber baron who is taxing the inhabitants for the cost of future improvements to the town. Or that's what McIntock says he'll do with the money...
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