Bigard has chosen to share his experience with his therapist with the public. Nourished by very personal anecdotes, Bigard undoubtedly delivers his most intimate show in twenty years of career and does not stop at anything to make his audience laugh.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
SUMMARY:- A girl wakes up early in the morning to witness an immense Pain in her groin area & discovers blood on the bedsheet which makes her very uncomfortable to face her father. The next series of events lead her to understand whether she can speak about it or not, moreover, an important incident is highlighted between the use of face mask and sanitary pads as both are used for protection purposes. In this, her father get involved consciously and maintains stability and at the same time respecting her daughter's emotion in order to make her understand about the scenario, makes it even more effective love & affection for the father-daughter duo in facing each other and also towards the society.
The best women's wrestling competition of all time...and if you think it's fake you're in for a big surprise See LEGENDARY Mixed Martial Arts fighters coach their teams to victory in the cage! aka Chuck Lidell's Girl's Fight Club
A depiction of the different social paths and classes within the Egyptian society, shedding light on the intertwined lives and fates of people of different classes, while highlighting issues like the drug trade and its calamitous impact on people and society.
Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.
Experimental film-essay dealing with abandoned places and labour rights.
Director Asa Mader collaborated with Benjamin Millepied (Black Swan star and New York City Ballet principal) for this film featuring Millepied and French actress Lea Séydoux with wardrobe by Ralph Lauren.
Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Two hours with a stranger. A bittersweet love story. A daily reality that feeds on censored fantasies. Lack of communication. A pact. And finally a flower, the lie that always join them.
A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.
Paris, 1894. Who is Fanni, who claims to be voluntarily locked up in a women-only mental institution? Searching for her mother among the multitude of so-called 'madwomen', Fanni discovers a community of modern heroines who defy her expectations, along with the unexpected friendship of fellow patients. The sumptuous and renowned 'Party of Fools' of the asylum is in preparation. Politicians, artists, and socialites will flock to it. It’s her last hope of escaping the closing trap.
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