Death by 1000 Cuts (2020)

The Lone Wolf in London

Michael Lanyard (Gerald Mohr) is suspected of stealing two fabulous diamonds from a vault in Scotland Yard, where they were being held for safekeeping, but the Yard can't prove he did it. Later, Lanyard is summoned by a member of the nobility to help the latter raise money to pay a blackmailer. Lanyard later finds evidence to reveal the diamonds as having been stolen by a famous stage star.

Unishe April

A female dancer becomes famous but loses her relationship with her daughter on the way.

One Direction: Where We Are - The Concert Film

Where We Are: Live from San Siro Stadium features the entire 23 track concert filmed at San Siro Stadium in Milan in June 2014, as well as 24 minutes of bonus content including backstage footage of One Direction and their crew.

The Derby Stallion

An alcoholic former horse-trainer perceives in a fifteen-year-old boy a unique gift of horsemanship and makes it possible for the boy to conceive his dream and pursue it.

Back on Track

A former Olympic champion wants to compete in the Berlin Marathon one last time.

Long Road to Gallantry

Newly crowned queen of kung-fu films Hui Ying-hung, stars in Long Road To Gallantry, a rivetting swordswoman spectacle. Shaw Brothers' actress Lily Li teams up with one time kung-fu wonder boy Chen Kuan-tai in a quest to find a missing martial arts manual. It's new wave heroic bloodshed with new wave talent such as the upcoming Rosamund Kwan who went on to star in six Jet Li films.

Metamorphosis

Metamorphosis is a documentary-style film giving the true account Bill Troester and the transformation he experienced by Jesus out of a life of violence, crime and drug addiction.

Verdi Ernani

It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.

3 Seasons in Hell

A 19 year old nonconformist poet living in 1947 Czechoslovakia is blind to the Communist behemoth looking over him, and instead lives a bohemian life with sexually liberated girls.

Return of the Black Death

The black death had devastating effects in centuries past, but what actually caused it and how many lives did it take? The world has not seen a disease outbreak like it before or since. This film tells the story of skeletons recently unearthed in a long-lost plague cemetery beneath the streets of London. Was it the Bubonic Plague, or as scientists now suspect, an Ebola-like virus?

Arthur's Missing Pal

After Pal escapes from the house, Arthur enlists the aid of his friends to help find his missing dog.

My Favorite Broadway: The Love Songs

Live from Carnegie Hall and hosted by Julie Andrews, a host of glittering Broadway stars sing Broadway's best and most enduring love songs. This production is a filmed record of a concert given on 16 October 2000 at the City Center for Music and Dance, New York City, to raise funds for Broadway Cares/Equity Fights Aids. The occasion was particularly notable in that it marked Julie Andrews' (brief) return to singing in public after a four-year hiatus. Originally broadcast on PBS's "Great Performances" (season 29, episode 8).

My Old Sweetheart

A 36-year old detective falls in love with a nihilistic 19-year old shop-lifter and wonders if the relationship which develops can last.

The Rebel

After the death of his parents, Pierre is forced to care for his younger sister Nathalie by committing petty crimes. In a recurring motif of Gérard Blain’s cinema, Pierre is taken under the wing of an older gay man, Hubert , who offers him work and financial security; but when Hubert makes advances to him, Pierre robs him and takes up with a group of radical leftists who are planning terrorist attacks. Without employment, Pierre loses Nathalie to child services and spirals into desperation, finally erupting in an act of horrific violence. An x-ray showing the largely undiagnosed sickness of its time, and a stern warning to ours.

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