In the Belgian town of Liege, in order to buy a moped for the wife of their friend Patrick, three men decide to organise a large-scale hold-up. As expected, nothing goes to plan.
In this satire, a police detectiveis investigating the disappearance and kidnapping of the host of a television dance show. However, instead of finding his man, he is trapped into becoming a contestant on a children's quiz show. What's worse is that he becomes a very successful contestant.
Emile is a 70-ish former horticulturalist who once raised bonsai trees "because they don't take up too much room." Indeed, his whole existence is safe and uneventful to a fault, somewhat juiced by friendship with raucous fishing companion Edmond. Still, they trade pleasantries rather than confidences -- so Emile is shocked when it turns out his elderly pal watches porn, paints nudes and shags women who are his contemporaries that he meets online.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
Esmeralda, a beautiful gypsy street dancer, arouses the desire of men, especially of Claude Frollo, the archdeacon of Notre Dame. The latter asks Quasimodo, the deaf and deformed bell-ringer of the cathedral, to kidnap the girl. Quasimodo, who has been adopted by Frollo and obeys his every word, captures the gypsy but she is saved thanks to Phoebus, a handsome captain, and his archers. Arrested by Phoebus, the hunchback is condemned to be flogged at the pillory. When Esmeralada, moved to pity by his lot, gives him water to drink, Quasimodo falls in love with her. Later, Phoebus is stabbed to death and Esmeralda is wrongly accused of the murder. Sentenced to hang, she is saved by Quasimodo who offers her asylum and... the love of his heart.
Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.
A young man named Sebastian Murphy has spent a decade moving around the country with his mother after her company went bankrupt. Now that she has found a stable job the are living in Wexford Town for six months. Sebastian has become close with Sean Gerrad who has brought him into a new group of friends but nobody knows that Sebastian has a secret. He is a fantastic musician and he is hopelessly in love with Lara but too afraid to do anything about it.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
In his 70th year, Alfred Hitchcock came to the National Film Theatre in London to talk to fellow director Bryan Forbes and to answer questions from an audience of film enthusiasts.
Agenda 2030 exposed
1 You're My Heart, You're My Soul 3:15 2 You Can Win If You Want 3:53 3 Cheri, Cheri Lady 3:19 4 Brother Louie 3:44 5 Atlantis Is Calling (S.O.S. For Love) 3:07 6 Geronimo's Cadillac 3:16 7 Give Me Peace On Earth 3:53 8 Jet Airliner 4:11 9 In 100 Years 3:52 10 You're My Heart, You're My Soul '98 3:24 11 Brother Louie '98 3:28 12 You Are Not Alone 3:25 13 Sexy Sexy Lover 3:04 14 China In Her Eyes 3:10 15 Don't Take Away My Heart 3:26 16 Win The Race 3:36 17 Last Exit To Brooklyn 3:16 18 Ready For The Victory 3:31 19 Juliet 3:36 20 TV Makes A Superstar 3:43
A retired New York City couple drive across country to reconnect with their reclusive son, joined by their two unmarried daughters.
Concerned parents hire a private detective to tail their son because they think he might be gay.
Ten individuals set out to find themselves in an alienating world, filled with heartbreak, deception and tragedy. With so much at stake, these strangers struggle to overcome their fates and find their place in a frequently harsh and unforgiving world.
Ranjit is a young man who has been assured a lucrative job. All he has to do is turn up for the interview dressed in a western style suit, but all the city laundries are on strike that morning, and his only suit is dirty.
1950's television documentary special that includes interviews with Hitler's sister Paula Wolf and a fellow prisoner who was incarcerated with Hitler, actual footage shot by the Nazi's and Eva Braun's rare home movies.
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