Stå-upp-komedi med Magnus Betnér
The concept of Back from the Dead is that Spinal Tap has reunited in honor of the 25th anniversary of This Is Spinal Tap, and have launched an "unwigged and unplugged" tour. The album is packaged with a DVD featuring commentary on each of the album's tracks.
A swashbuckling heritage reveals itself as the adopted son of 19th-century Spaniards develops into a suave lady-killer.
Here Come The Waves: The Hazards of Love Visualized" is an animated collaboration between the band and four filmmakers: Guilherme Marcondes, Julia Pott, Peter Sluszka and Santa Maria. The Los Angeles Times describes it as "a tumbling series of visuals with four distinct aesthetic styles. Peter Sluszka's ultra-slow motion capture of exploding mushrooms and elegantly disseminating seed pods … Julia Pott's line art of wolves and foxes hovering in geometric constellations … Guilherme Marcondes' renderings of skeletons caught among leafless branches and verdant human arms that unfurl like ferns… Santa Maria provides context…with cosmic, computer-generated vistas, cartoons of splintering bones.
When Finnish-Somalian Mustafe discovers his ancestors’ land in the horn of Africa is full of copper and gold, he decides to swap his family’s safe but boring life in the Nordics for Somaliland, a self-declared state in East Africa. As Mustafe struggles to lift the treasures from underground, his children embark on a bumpy journey to uncover where they really belong.
Historical short showing how Eli Whitney (best known for the invention of the cotton gin) played a significant role in the introduction of mass production techniques to the USA in the late 18th century.
Diana González works for the police and successfully eliminates narco dealers. One of the narco bosses, Constantino, decides to punish her by making Diana's sister to use drugs. This poor girl ends up dying in a S&M orgy. Now Diana is going to kill all those who wronged her with her Machinegun (La metralleta) while being pursued by drug dealers and the local police.
Young residents of Seoul meet, separate, wait and dream by the Inner Circle Line of the Seoul subway system.
This film was a true peculiarity, a filmed version of the great Feodor Chaliapin in one of his most famous roles; the fact that it was a silent film, with title cards, meant that audiences could only appreciate his acting. Another curiosity is that the film also included a minor role enacted by Richard Boleslavsky, who in 1932 directed “Rasputin and the Empress.”(9)
As a wealthy retired surgeon nears the end of his life, he begins to distribute his wealth to those in need, stating that "all that I have belongs to God." His nephews bring him to court to determine his mental competence in the hopes of stopping him from disposing of all his money.
"Buy, use and throw", this is the maximum of a world in which objects do not last more than twinkling of an eye. Shops are emptied and dumps filled. Alicia witnesses this unfortunate phenomenon, as her parents throw objects with only a few months of "life." But all is not lost as there are people like Thomas, an old scrap dealer, friend of Alicia, who teaches her the valuable art of recycling. From the hand of Thomas, our hero learns the true value of things, even to fix an old radio with her own hands.
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."
Laila, Noa and Mía suffer a tragic car accident and, from that moment, their friendship will change forever, since Laila dies. Noa and Mía will have to suffer the loss of their best friend, but they will do so in very different ways. Mía will try to avoid the issue by having parties and having fun with her friends, while Noa will lock herself in her house, plunged into a depressive loop.
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