A single machine is hidden among human contestants. Will they uncover who is the Fake?
A woman hiking long-distance, struggles trusting a stranger she meets after he comes across her lost in the woods. She must decide how far she is willing to travel with someone who may proof dangerous.
The "Tango Bar" is the fashion of the moment. The city's party-goers have chosen the small, cozy, intimate local venue for the night's wee hours. Gaby Grant is an ideal hostess who knows how to get guests to forget the day's sorrows and troubles - and knows how to get them to pay.
About the partisan movement during the Great Patriotic War.
#HeForShe is a movement for gender equality and women empowerment, and its aim is to engage men and boys to evolve their connection towards gender in which they do not act or feel as male chauvinists.
PEOPLE is a new collaboration of riders and filmers from Mack Dawg Productions. Directed by Pierre Minhondo and Justin Eeles. This newly formed collective combines the talents, attitude, and fun-loving folks from such films as kidsKNOW’s “Burning Bridges,” and Neoproto’s “Some Kinda Life”. Learn, watch, and follow these PEOPLE as they show you real snowboarding in their own form. From our cities to yours, look forward to watching: Jon Kooley, Justin Hebbel, Nima Jalali, Jordan Mendenhall, Curtis Woodman, Mitch Nelson, Bryan Fox, Etienne Gilbert, Robbie Sell, Stephen Duke, Pat McCarthy, Shaun McKay, Josh Mills, Marius Otterstad, Jussi Tarvainen, and Ryan Thompson. -Released August 2006.
The biggest problem of the 19-year-old high school student Jana is the relentless everyday-life and time. She don't want to think about the remaining time until the next event. For her own interests, she prefer to use the time as she would like. But she becomes the victim of her own strategies..
Sakiko is a typical teenager in many ways. She hates her divorced father, who chases after every skirt he sees. She does not know, if she will ever be loved by the other sex. When her dad suddenly inherits a lot of money and becomes really lazy, she hates him even more. He finally decides to start his own cafe, where Sakiko, of course has to help. From this moment, strange customers and good-looking waitresses form the center of tension between father and daughter.
Formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities, Les Luthiers premiered this show on May the 30th, 1985 at the El Círculo Theater in Rosario, Argentina. PROGRAM: 1. Vea esta Noche; 2. Serenata Tímida; 3 . El Zar y un Puñado de Aristócratas Rusos...; 4. Una Canción Regia; 5. Truthful Lulu Pulls thru Zulus; 6. El Valor de la Unidad; 7. Les Nuits de París; 8. Pasión Bucólica; 9. Las Majas del Bergantín; 10. Bolero de los Celos; 11. Marcha de la Conquista and; 12. Cuarteto Opus 44. The 'Mandocleta' instrument was presented for the first time during this show. Recorded live at the Colón Theater in Bogotá, Colombia, on April 12, 1986. Numbers 11 and 12 were recorded earlier at that same theater on November 8, 1981. This is the last recorded appearance by Ernesto Acher with Les Luthiers.
A dreamy girl goes through puberty evading the loneliness and pressure of her environment until in just one night, treason and harassment lead her to big disappointments that push her to grow up abruptly.
This typical Mexican musical comedy was released at a time when two of its actresses, Ana Berta Lepe who appears in a few numbers and Evangelina Elizondo who is featured as a woman with problems in the romance department, were involved in serious, separate scandals. While these scandals may have promoted attendance at its opening, audiences will really respond the most to the songs in this film, everything from "St. Louis Blues" to "Tipi-Tipi-Tin." The songs outweigh the plot itself, and do much to alleviate the otherwise weak storyline.
In São Paulo, Alberto is an insane and sadistic man that kills women, and lives with his mother that covers all his mess. When he kills his mother's employee Eliana, stabbing her in the bathtub, they bury her in the backyard of their house. Eliana's fiancé unsuccessfully seeks her out and when Alberto's mother advertises that she needs a driver, he applies for the job to sneak around the real estate trying to find Eliana.
After a confrontation, a group of women are taken by a presence.
A hotshot White House speech writer deals with the publicity nightmare of his life when recently deceased soldiers return from beyond the grave.
Brash and opinionated, Christine Choy is a documentarian, cinematographer, professor, and quintessential New Yorker whose films and teaching have influenced a generation of artists. In 1989 she started to film the leaders of the Tiananmen Square pro-democracy protests who escaped to political exile following the June 4 massacre. Though Choy never finished that project, she now travels with the old footage to Taiwan, Maryland, and Paris in order to share it with the dissidents who have never been able to return home.
Lélia was a pioneer in publicly denouncing the situation of black women in Brazilian society. In the 1980s, with the publication of an article in the book O lugar da mulher, she proposed a reinterpretation of the figure of the Black Mother. With new perspectives of analysis, she sought in her performance to reinterpret and reconstruct the history of Brazil from the perspective of black women. In the feminist movement, her contribution was the introduction of the racial issue in their political agendas. Until then, the specificities of black women were not considered. However, her important trajectory is unknown to a large portion of the Brazilian population. Since her death in 1994, scholars and activists have been fighting to rescue her memory and organize her thoughts.
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