Joni Mitchell: Woman of Heart and Mind (2003)

Candyman: The David Klein Story

Candyman tells the amazing true story of David Klein, an eccentric candy inventor from LA, who came up with the concept of Jelly Belly® jellybeans. These colorful beans became a pop culture phenomenon, revolutionized the candy industry and were personally endorsed by Ronald Reagen. However, David's eccentric personality and peculiar sense of business led him to leave Jelly Belly just as it was about to explode and grow into a billion dollar enterprise. Is there room for eccentric genius in the modern corporate world? The film tells how Klein may have lost his beans, but kept his soul.

Panda

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

The Hunchback of Notre Dame

Esmeralda, a beautiful gypsy street dancer, arouses the desire of men, especially of Claude Frollo, the archdeacon of Notre Dame. The latter asks Quasimodo, the deaf and deformed bell-ringer of the cathedral, to kidnap the girl. Quasimodo, who has been adopted by Frollo and obeys his every word, captures the gypsy but she is saved thanks to Phoebus, a handsome captain, and his archers. Arrested by Phoebus, the hunchback is condemned to be flogged at the pillory. When Esmeralada, moved to pity by his lot, gives him water to drink, Quasimodo falls in love with her. Later, Phoebus is stabbed to death and Esmeralda is wrongly accused of the murder. Sentenced to hang, she is saved by Quasimodo who offers her asylum and... the love of his heart.

Detective Dee and the Great Illusionist

Stilema

A former intellectual senator and his beautiful young wife have an obsessive relationship.

Home

Young Irish immigrant, Alan Cooke contemplates the great metropolis New York City, and the very meaning of home itself. A vivid moving and poetic portrayal of life in contemporary New York featuring a host of celebrities, native New Yorkers and immigrants via candid interviews.

Battle of the Chairmanship

A funny comedy about a battle for a chairmanship of condo association. AKA Condo Mishmash

Mozart: Le Nozze di Figaro

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

Ashwaradham

Ashwaradham is a 1980 Indian Malayalam film, directed by IV Sasi and produced by Pavamani. The film stars Srividya, Raveendran, Prameela and Balan K Nair in lead roles.

Mere Dost Picture Abhi Baki Hai

Picture Abhi Baki Hai is the journey of Amar Joshi (Sunil Shetty) who runs a video library in banaras and aspires to be a film maker. Despite facing objection from his father Amar Joshi decides to sell his video library and joins a film Institute in London. After completing his course he lands in the city of dreams "Mumbai" to make his film. Suraj (Rajpal Yadav) is a struggling actor doing bit roles in T.V. serials, who Is Amar's only connection in Bollywood. Amar Joshi starts his struggle to make his film by meeting different type of producers who have their own take on Amar's story. After many failed attempts He finally bumps into Monty Chadda (Rakesh Bedi) a P.R. Publicity man who sees good potential in Amar and decides to produce his film. Amar & Monty take help of star secretary Guptaji (Akhil Mishra) to convince Mohini (Udita Goswami) & her starry mother Mummyji (Neena Gupta) who agrees to do the film.

Jadoo

This comedy revolves around two brothers, both wonderful chefs, who fall out catastrophically. At the climax of their dispute they rip the family recipe book in half - one brother gets the starters and the other gets the main courses. They set up rival restaurants, across the road from each other, and spend the next twenty years trying to out-do each other. Neither brother will admit it but they both know they are not entirely successful in the 'other half' of the menu. It takes a daughter - a successful corporate lawyer marrying a man from a very different background - to reunite them. She is planning her marriage and is determined that they will both cook the wedding banquet.

Hijabers in Love

Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.

Tales from the Dead Zone

A medical examiner conducting autopsies on victims of a terrible car crash, imagines how they may have lived their lives.

Smoking Aliens

Then one day, her daily life suddenly changes. Unknown creatures fly out from a large number of spheres sent from outer space and begin to parasitize and manipulate human beings. The parasites not only move in strange ways, but some of them also exhibit extraordinary physical abilities. Trapped in a building at work, Shang and his colleagues discover that the space creatures are vulnerable to cigarette smoke. But that was only the beginning of the fight to the death. Smokers vs. space creatures, who will survive? Shang's cry echoes through the air. "Breathe in the smoke and go to hell!"

Forest

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.