An early short film recording fencers.
Formerly lost film rediscovered in 1996, directed by William Friese-Greene.
It is a cine comedy following "The Lady from the town". Olga is getting ready to go to a meeting of the district women activists, where she will relate her own experience in the struggle against conservative concepts. During a warm atmosphere, Olga sings the first lullaby to her newborn nephew: "Once upon a time there was an Olga who posed as a lady.Time passed by and the lady has become one of us, a comrade from the country"
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
The Mediterranean is a cemetery. More and more men, women and children are trying to reach Europe by crossing the Mediterranean. Many perish in the waters. Some 40 000 in fifteen years. "If Europe does nothing, we must act", says Klaus Vogel, German co-founder of "SOS Méditerranée" and captain of the Aquarius, a vessel for 300 passengers. What started out as a Franco-German and then Italian humanitarian initiative, has become a civic European organisation for the rescue of people in distress in the Mediterranean. Two reporters have embarked for three weeks to take part in the rescue operations and to witness the daily commitment of a group of people when faced with the desperate plight of others.
Barry and Susan O'Brien are a young married couple who have just inherited a house. They love their beautiful new home, and decide to throw a party. The party is partly to show off their new digs and partly because Barry, an actor, wants to butter up the producer of a soap opera in hopes that his character won't be killed off. But the O'Briens soon discover that they have to worry about death in the real world too, because a flock of demons is hiding out in one of the closets, waiting to be released.
The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.
An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.
It's a painter's approach to filmmaking, to putting painting in motion. Shown at the Cannes Festival 1976
An innocent and unsophisticated Guyanese immigrant is exposed to the hustlin' way of life in the Brixton ghetto.
Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.
Charlie and his little brother Simon live a secluded life, feeding off of the land and surviving on their own. The monotony of their lives remains unchanged: day after day, month after month, yet, something keeps them from growing comfortable, from feeling safe. And all too soon, the nightmare brewing beneath the surface of their quiet farm life will erupt. For how can one survive the end of the world and expect their future to be bright? How can one expect there to be a future at all?
The only surviving play from the anthology series, Out of This World, presented by Boris Karloff.
A true story. 1942. New Zealand is at war. Times are desperate. The Japanese invasion seems imminent. At this perilous moment, confidence trickster Syd Ross completes his sentence and is released from Waikeria Prison. He makes a phone call and finds himself in front of Prime Minister Fraser. Syd tells a tale of sabotage and assassination, of a Nazi plot to take over New Zealand.
1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.
Activate your FREE Account!
You must create an account to continue watching