Harold Buttleman, small town tuxedo salesman, thinks he's the next great daredevil stuntman. He's not.
After drinking all night, Monty and his friend try to get home, but it turns out to be not easy. The next day, Monty tries to win the heart of a theater actress.
Free-lance undercover agent Coplan receives a phone call from an old girlfriend in Turkey. The panic-stricken woman gives sketchy details of a plot that threatens world security. When Coplan arrives, he is told the woman has been killed, and the trail of the murderer leads to her mad-scientist brother.
Joseph Kuo's final film.
While people's artist of the USSR Sergey Cherkassky "fights" with the role of king Lear, trying to understand the psychology and actions of Shakespeare's character, his own large family presents him with one riddle after another. His daughter Elena, who broke off her unsuccessful marriage, falls in love with rock musician Dean Makarov. The grandfather does not know that the son of his late daughter - in-law Sonia is gay, who is madly in love with the same Dean. All Sonya's daughter, Lala, "twists" the love with a student Vakhtangov school, the future actor Misha, but dreams of a luxurious life abroad. Son of Sergei Andreevich, father of Vitya and Lyali - Andrey - General, Hero of Russia, serving in Chechnya.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Several little boys run along a pier, then jump into the ocean.
Working undercover, Allen and sidekick Mendoza are out to stop the mail train robberies. Rivers and his gang are the culprits and by joining up with them, they hope to get the evidence they need.
A romantic film packed with fun and adventure Gandharavam tells the story of an auto mechanic who falls in love with the daughter of a crime mob family.
When the Scooby gang visits a dude ranch, they discover that it and the nearby town have been haunted by a ghostly cowboy, Dapper Jack, who fires real fire from his fire irons. The mystery only deepens when it’s discovered that the ghost is also the long lost relative of Shaggy Rogers!
Shirley and Dino arrive in Paris to take over a cabaret inherited from their uncle. On the verge of bankruptcy, the establishment is coveted by local hoodlums, ready to do anything to get rid of the new owners. But this is without counting on the inventiveness, innocence and tenacity of Shirley and Dino... who have one week to save their Cabaret Paradis.
"This singular, bleakly funny, R-rated vision of Kiwi life clinches King's position as the most distinctive new voice in NZ film, as insistent and inescapable as The Warehouse jingle." - New Zealand International Film Festival director Bill Godsen. Made at the beginning of the digital revolution, this micro-budget feature went on to win several awards and be selected for major Fests incl. Toronto, Locarno, Edinburgh, and Melbourne.
On the federal television channel they shoot an entertainment show, New Year's ether, pop stars. Over the ranks of the crowd, the loud voice of the brigadier rushes: "Besides the fact that you came to have fun, do not forget that you are on work. Enjoy, smile. You can see absolutely everyone in the picture. " But this is not true - most of them no one will ever see. But, if you go to one of the regular participants in the extras home - you can see something that will never be shown on TV.
Rodney Dangerfield hosts a showcase of comics including himself, Robert Schimmel, Bill Hicks, and Andrew Dice Clay, among others.
One Night in Oslo follows a group of young people in Oslo’s Eastern parts on the night before Norway’s National Day, and reflects their expectations and emotions ahead of the celebration.
An experiment transposing a painting by the artist Jacqueline Bosson into film. A particularly delicate exercise which consists of preserving the quality of both the colors and the range of blacks and whites, of directing the gaze to a single part of an ensemble predefined by one of the many factors involved in “making visible”, without turning away from the the fact that one’s attention is liberated from the noises and distractions of the gallery, of the museum, of the world… — different and similar from those the screening room — an inevitability of light.
Activate your FREE Account!
You must create an account to continue watching