When Eros shoots his arrows on the god Apollo, he falls madly in love with Daphne. But the nymph does not correspond to his love and escapes as she can from the harassment of Apollo. Animated short film based on the Greek myth of Apollo and Daphne.
The Cyclops Polyphemus falls in love with the beautiful nymph Galatea, but she rejects him in favor of Acis, a shepherd. Furious, Polifemo goes in search of Acis to take revenge. Animated short film that explores the love and the sexuality from Greek myth of Galatea and Acis.
About the partisan movement during the Great Patriotic War.
This film finds Angélique in a North African Muslim kingdom where she is now part of the Sultan's harem. The first part of the film consist of her angrily refusing to be bedded as well as their trying to literally beat some sense into her. It all seems to go on too long and I was surprised that the Sultan simply didn't have her killed. Late in the film, she finally decides to escape with the help of two Christian prisoners.
Three years living in Sunset Park, living between the BQE and the Greenwood Cemetery, accumulating footage of junkyard cats, Park Slope strollers, burned out cars, flying birds.
Andreas arrives on a remote Greek island to sell a plot of land inherited from his uncle. But who would buy a barren, rocky field with a stone hut? In order to sell the plot Andreas has to pay off a debt his uncle ran up with Yiannis, a local farmer.
In the middle of October 1998, Tomoe Enjou is attacked by bullies from his old school and saved by Shiki Ryougi. He asks her to hide him at her place and admits that he killed someone. Several days after the incident there are still no broadcasts about the murder as if it didn't happen.
The author Thomas meets his childhood friend Hoffman on an autumn night in 1997. They decide to let a dream come true: to make a film of a play by Thomas, Veranda for a Tenor, with Hoffman in the lead role. The story takes us back to the summer of 1961, which changed their lives. The writing of the script awakens memories and forbidden questions are answered. Their friendship is put to the test a final time. Veranda for a tenor is a film about male friendship, but also about love. Their love for the same woman...
Filmed with four cameras, over two shows at Union Hall, Brooklyn, on October 27th, 2008, this film is especially for those of you who miss the live experience: the sweat, the proximity, the forgotten lyrics. This is far better than a Zoom show with me sitting at my desk: it looks and sounds beautiful. It’s what you really want to see (as opposed to being the only thing we can bring you) and it’s the absolute closest thing to being at one of my shows. And - as luck would have it - I’m playing all your favorite songs. How do I know? Because we asked you to choose the setlist way back then, and you did.
A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
Director: Nicholas Cooper
Formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities, Les Luthiers premiered this show on May the 30th, 1985 at the El Círculo Theater in Rosario, Argentina. PROGRAM: 1. Vea esta Noche; 2. Serenata Tímida; 3 . El Zar y un Puñado de Aristócratas Rusos...; 4. Una Canción Regia; 5. Truthful Lulu Pulls thru Zulus; 6. El Valor de la Unidad; 7. Les Nuits de París; 8. Pasión Bucólica; 9. Las Majas del Bergantín; 10. Bolero de los Celos; 11. Marcha de la Conquista and; 12. Cuarteto Opus 44. The 'Mandocleta' instrument was presented for the first time during this show. Recorded live at the Colón Theater in Bogotá, Colombia, on April 12, 1986. Numbers 11 and 12 were recorded earlier at that same theater on November 8, 1981. This is the last recorded appearance by Ernesto Acher with Les Luthiers.
A man struggles with his past, in order to find his present, in this 1993 surreal, avant-garde visual-drama. Written and Directed by Jose Pelaez, Photographed and Edited by Carlos Garcia, and Starring Mel Nieves.
Billy and Sheena visit their Uncle Harold on an island in the Caribbean, but while exploring under water they find something terrible lurking deep below the sea.
Sexual adventures of a prostitute's son and a bordello owner, who like to swap women.
Dasu and his gang of newbies kidnap a rich politician's son to extract money from him, with his new-found uncanny rules of kidnapping. All his plannings go haywire when an insane cop is brought to handle the case.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
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