After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
The film recreates the final events leading to Italian unification in September 1870.
A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.
They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.
An ophthalmologist's assistant with an unhealthy interest in human eyeballs goes on a killing spree to collect eyeballs for his overbearing mother's collection. Reality soon takes a bizarre turn, both for the characters and the audience.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
The physician's death orphans his two adolescent daughters. Their older brother is able to convert some of the doctor's small estate to cash. But it is late in the day, and with the banks closed he stores the money in his father's household safe. The slatternly housekeeper, aware of the money, enlists a criminal acquaintance to crack the safe. She attempts to get into the adjacent room where the sisters tremble in fear, but finds that the door is locked. The drunken housekeeper menaces them by brandishing a gun through a hole in the wall.
Timecode is a 2016 Spanish live-action short film directed by Juanjo Giménez. Luna and Diego are the parking lot security guards. Diego does the night shift, and Luna works by day. One day, Luna's boss asks her to investigate a broken tail light. It won the Short Film Palme d'Or award at 69th annual Cannes Film Festival in 2016. It is also nominated for an Academy Award for Best Live Action Short Film at the 89th Academy Awards in 2017.
Four young men and a young woman sit in boredom. She smokes while one strums a lute, one looks at a magazine, and two fiddle with string. The door opens and in comes a young man, cigarette between his lips, a swagger on his face. The young woman laughs. As the four young men continue disconnected activities, the other two become a couple. When the four realize something has changed, first they stare at the couple who have kissed and now are dancing slowly. The four run from the house in a kind of frenzy and return to stare. The power of sex has unnerved them.
The leader of a marching band demonstrates an unusual way of writing music.
A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars a cast of animated beetles.
Two soccer stories: Alvaro Presutti is a referee who seems to be the last to know about his wife having an affair with a German soccer star. Amedeo Amedei has to please both his father, a die hard Roma supporter and his future father in law, who supports Lazio.
Six-year-old Ataru steps on Elle's shadow during an impromptu game of shadow-tag; in Elle's culture, this is viewed as a marriage proposal. Eleven years later, Elle returns to Earth in order to marry Ataru — by which time not only had he forgotten the events of his childhood, but he was also going out with Lum. The rest of the plot focuses on Lum's attempts to prevent the marriage. The film was directed by Mamoru Oshii who was mad at the many requests that the producer made of him to alter the movie. Rumiko Takahashi considers this film her favorite and it is the most true to the original series.
An early version of the classic, based more on the 1902 stage musical than on the original novel.
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.
A Central American plantation manager and his boss battle over a traveling showgirl.
A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.
A cartoonist defies reality when he draws objects that become three-dimensional after he lifts them off his sketch pad.
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