A film crew is ravaged by a demon, who is hell bent on cashing in on a deal he made with someone on set who was seeking fame and fortune.
On a future earth where 98% of the surface is underwater, a Warlord who controls an army of sharks meets his match when he captures the daughter of a mysterious shark caller who must learn to marshal a supernatural ability if she is to free her people from the Warlord's dominion.
Two close sisters, Myah and Beth, struggle with their differences in life and in the older sister's mentally abusive marriage, until the complacent lives of Beth and their married friends are shaken to the core by a tragedy that they are all forced to face.
Rex uses the age of dinosaurs as an example to give Forky an understanding of the concept of time.
Forky attempts to understand the concept of love from Bonnie’s elder toys who believe they’ve been there, done that.
Nina is a successful TV star, but her life changes when she is diagnosed with cancer. Facing a personal crisis, she has to confront her deepest fears.
Dating within different cultures and being open to all religions, Ethan must deal with constant roadblocks. From First Nations to South American, his journey to find love in Toronto is nothing but complex. He faces discrimination and depression but always remains optimistic.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
Live at Viña del Mar in 2010.
At the risk of her group's safety, a young woman travels into a National Forest where her sister has become trapped in a multi-dimensional world of monsters.
Three fathers who are also brothers-in-law make a pact to save their daughters from their boyfriends.
A documentary filmmaker captures the final days of the last standalone cinema in Thailand as former employees return to help close it down.
When Nazi forces invaded Holland in 1940 and began rounding up Jews, Corrie ten Boom, her sister Betsie, and their elderly father risked their lives to save as many as possible. Corrie ten Boom: a Faith Undefeated recounts this unforgettable story for a new generation.
A son and their father struggle to find common ground when the son starts to question their gender identity.
As a much in demand young pianist, Neil Cowley cut his teeth on albums by the likes of the Pasadenas, Brand New Heavies and Zero 7. More recently he played piano on both of Adele's bestselling albums "19" and "21". However, the project closest to his heart is the Neil Cowley Trio. In 2013 the Neil Cowley Trio was the winner of the UK Jazz Artist of the Year. The Trio are virtuoso musicians and Neil Cowley is a consummate live performer with a distinctively English wit and the ability to create a marvelous rapport with his audience, as ably demonstrated in the concert captured here.
The energetic Peas-n-a-Pod siblings teach Forky about reading and how it is done, with a little help from Mr. Spell
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