Talia is a 13-year-old girl who dreams of becoming a boxer. But there is an obstacle more difficult to overcome than a boxing ring: to live with an abuser.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Diana, a pregnant architect, is hired to work in the renovation of the old Cinema Khouri, abandoned after the tragic death of a child. However, when she gets trapped inside there, Diana discovers the old cinema is not only alive, but hides an entity that wishes to keep her in there forever.
Based on a song by the same name. It was the Genre Popularizer for the Rillumarei film and live entertainment genre that drew from the musical couplet genre of light, cleverly written, often satirical songs. Many of these films were based on an existing song, or a song was specifically written to be the foundation of a film.
Comedian Hasse Bronten ,former police who changed career to comedian, appearing at Gröna Lund Theatre. Hasse has collected his best jokes and packed them into a wonderfully fun show .
A short documentary showing the formation of an island from lava and other volcanic activity.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Arnold, a school kid with a vacant stare and hair sticking out, takes the bus to school. He sits idly through lessons. Then, it's time for band, where he plays the piccolo. He daydreams through the Vienna waltz, imagining himself ice-skating, and sending the school bully into the cold water by cutting a circle through the ice around him. The band plays a second song, and Arnold imagines spring. The music ends, the room empties except for Arnold. The teacher says, "Arnold, everybody's gone to recess."
An ordinary quarter begins its journey, exchanging hands many times and discovering what living in a fast-paced society is like.
The versatile Max Linder heads a novel chase in this film, the pursuers being three dogs, the pets of the comedian's fiancée. Max was dreadfully afraid of dogs anyhow, and of these dogs in particular, because they were jealous when their mistress caressed Max. On the wedding day he had them locked up, but they escaped and ran to the parlor, where the ceremony was in progress. Max fled through numberless streets, houses, rooms, and finally to the roof, where he gave up and sent back a note by the dogs declining to marry and be devoured. The picture amuses.
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