Salvador Martinha: Centro das Atenções (2018)

La Crayon

Bad Vibes, Brown Eyes: The Redemption Story

Being a black filmmaker and creating films with a mostly black cast in an industry that rarely supports such work comes with challenges. This compelling documentary follows Sean Reid and Brian White as they

Rheme Maining Sources

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

La leyenda

Set in the dizzy world of TC 2000 racing La Leyenda tours the action genre overflowing with adrenaline and speed...

Gwiazda Piołun

Box

8mm film by Swiss artist Roman Signer.

Far Out

Two friends attempt to reconnect.

Taarka

The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka - a despised woman and a worshiped singer.

性戏观：堕落 Sexy Twins

I.M.

Musume Bugyo On-na Ro Hisho

A woman calling herself Princess Oryu enters the woman's prison. She is Kasumi, the daughter of the famous magistrate, Ooka Echizen, who slowly after hearing each of the prisoner's stories begins to realize the mystery that lies behind what it could be a big conspiracy.

The Exhibition Sausage Seller and the Billposter

A fight breaks out over a poster.

Girls Don't Cry

After an assassination attempt, a broke mob wife takes over his husband's dirty work and collects her husband's debt with the help of her best friend - a hairdresser and her step daughter.

Carriage Trade

Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.

Wales: Great Britain's Wild West