A young Japanese girl Rin-san comes to the pre-revolutionary Russia with a great and wonderful mission: to understand the mastery of iconography and attach Japan to the Russian Christian culture. She does not know that Russia stands on the verge of tragic change. Terrible years of atheism are coming. Envy of mediocre, intriguing nuns, the tragic love of a terrorist-regicide will turn Rin's life upside down...
This film shows the gipsies' life in Hungary, the prejudices they are faced with when adapting themselves to society and the gipsies' ancient customs which often defy adaptation.
Marianne (34) discovers that her boyfriend Håkon is having an affair. Supported by her best friend's revenge tips, Marianne stumbles into her new life where she discovers that coziness is overrated and having fun is what matters.
On the birthday of her late father, a deposed Maharaja, a displaced Indian princess living in London and his former private secretary watch home movies and reminisce about royal India.
Here Come The Waves: The Hazards of Love Visualized" is an animated collaboration between the band and four filmmakers: Guilherme Marcondes, Julia Pott, Peter Sluszka and Santa Maria. The Los Angeles Times describes it as "a tumbling series of visuals with four distinct aesthetic styles. Peter Sluszka's ultra-slow motion capture of exploding mushrooms and elegantly disseminating seed pods … Julia Pott's line art of wolves and foxes hovering in geometric constellations … Guilherme Marcondes' renderings of skeletons caught among leafless branches and verdant human arms that unfurl like ferns… Santa Maria provides context…with cosmic, computer-generated vistas, cartoons of splintering bones.
Mistaken identity farce; two guys each pretend to be somebody else to cover for each other in delicate situations.
An instructive parable that the two principles right and wrong have common roots, and their interaction gives rise to unexpected situations that may strongly influence each other. But what will prevail? Friendship, commitment to certain ideals or individual interests, the benefits and the effort to find one’s place under the sun?
An abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result. The muderer, Laiu, likes to take photos of the victims dismembered bodies as momentos. Inspector Lee is called onto the case in this bizarre thriller.
A man takes the blame for a girl's crooked brother and weds her when her hand is amputated.
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."
As a wealthy retired surgeon nears the end of his life, he begins to distribute his wealth to those in need, stating that "all that I have belongs to God." His nephews bring him to court to determine his mental competence in the hopes of stopping him from disposing of all his money.
Flying Saucer Rock 'n' Roll, is a 12 minute spoof of a 1950s black and white science fiction B-movie. It was first released in 1997 and starred Ardal O'Hanlon. It was written by Mik Duffy and its director Enda Hughes. The title is taken from the 1957 Rockabilly novelty hit record "Flyin' Saucers Rock 'n' Roll" by Billy Lee Riley and His Little Green Men. O'Hanlan's "rendition" of the song, is performed by producer Michael Hughes.
A Soundie with Harry Gibson.
Two unconnected stories that gravitate around literature.
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