Antonio and Beba are a pair of panda bears besieged by the classic obstacles of a young couple. Their life together is defined by routine, until one day they are forced to live with their favorite singer.
After surviving an IED explosion in combat overseas, a young soldier with the Army Motorcycle Unit is medically discharged with a broken back and leg. Against all odds he trains to make an impossible comeback as a motocross racer in order to support his family.
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
A portrait of teen escort, 'Coco'.
Luisa is beginning to forget, sometimes getting lost in the maze of her memories. At the bus station, she writes texts in an attempt to safeguard her memories, especially those involving the great love of her youth.
After the battle against Zogu was over, both Gamu and Fujimiya began to live normal lives until another threat arrives on Earth - a surviving monster soldier of Zogu's army named Gakuzom.
A general's daughter lives in Tambov, in love with a street artist, whom her father disapproves of. The general has a twin brother who heads a criminal gang. Two unsuccessful robbers fail the task, which triggers a string of events that will change lives and destroy families.
The crew of the nuclear submarine USS Ulysses rescues supposed victims of a boat disaster, but the victims turn out to be terrorists intent on capturing nuclear weapons aboard the sub. Only a former SEAL, now a submarine consultant, can save the crew by sliding aboard while the sub is underwater. The term "crash dive" refers to the sudden dropping of a sub to escape detection, an act that a nuclear sub is never supposed to make. Of course, it comes into play in this film.
A large number of drugs enter Kazakhstan from Afghanistan. To stop this, a special group must be created. The Ministry decides to send intelligence officer Oraz and two of his friends there, who participated in the war in Afghanistan and know the country well. The three veterans are joined by a young scout who despises the "old men". They will have to solve the drug problem, despite the conflict between two generations.
Mickey Mouse grand marshals a parade of 1932 Academy Award nominees. Minnie Mouse leads the marching band and Clarabelle Cow rolls out a carpet for the celebrities. Wallace Beery marches in boxing gloves with Jackie Cooper as his footman. Lynn Fontanne and Alfred Lunt walk the route together. Helen Hayes shuffles down the carpet. Fredric March appears as both Dr. Jekyll and Mr. Hyde. Marie Dressler follows, trailing a corset and an alarm clock. Pluto brings up the rear of the parade.
A homeless woman named Florabelle becomes the unwitting guide to the streets for a New York social worker named Carrie who thinks she has lessons to offer the down-and-out clients she serves at the homeless shelter. Soon, however, Carrie realizes that she's the one who has much to learn.
The Kettles leave their ultra-modern home and return to the country looking for uranium. Ma and Tom's mother-in-law, Mrs. Parker, fight over whether their grandchild will be raised "hygiencially."
A young engineer which settled in Bucharest after his studies, returns to his village to spend his sick leave. He takes on a project to moderniza an old mill.
A private detective is hired to find a young heiress but finds himself accused of murder.
A scriptwriter calls his friends over for a discussion to create a script for his first film. The group consists of a cinematographer, a director-wannabe with 40 years of experience and three young assistant directors.
The happening of a ceremonial robing of the youngest daughter as a novice in a Swabian convent screws up the values of a modern family. As if life wasn't complicated enough anyway. And how are you supposed to be happy without new clothes?
Twenty-one years after Alan Zweig’s groundbreaking first feature documentary Vinyl, Zweig returns to the topic of compulsive record collecting with newfound introspection and a sunnier disposition. Punctuated by his signature mirror-confessionals, Records compiles colourful interviews with vinyl enthusiasts, swirling around the proverbial maxim that music has the power to connect us all.
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