Velká kočičí pohádka (1983)

Pošťácká pohádka

GCW Fight Club 2022 Night 2

Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.

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Single-channel video installation commissioned by Public Art Development Trust, London.

Panda

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Forest

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Panorama pendant l'ascension de la Tour Eiffel

Panorama during the ascent of the Eiffel Tower.

פול ספיד

an israeli movie about race cars

Matrix

Abstract art film made for gallery exhibition.

Rosalinda 2020

Magang Hotel

Two rival gangs decide to send two men each to a rural hotel to force the owners to repay their debts, but they underestimate the will and resourcefulness of the hotel staff.

Fight Club (Russian version)

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Allá en el Trópico

A 1940 film directed by Fernando de Fuentes.

The History Of MG

Best Of British - History Of MG Cecil Kimber was the man behind MG convincing William Morris in the early 1920s to let him produce more stylish cars. At first he mounted Cowley chassis on special four-seater bodies, and these were sold as 'The Chummy' without to much success, but he soon got it right. At first Kimber's cars were sold as Morris Garages Specials before it was shortened to just MG. It only took a few years of Kimber producing his unique range of cars before in 1928, MG had its first stand at the motor show in Olympia, exhibiting for one the 847cc over-head-cam Midget. In 1962 the most successful of all MG sports cars was introduced this was of course the spectacular MGB.

Rented Lips

A documentary filmmaker, who has spent the last 15 years making films like "Aluminum: Our Shiny Friend," is finally given the chance to make the documentary on Indian farming he has always wanted to. The catch? He must simultaneously direct a porn film. But as he tries to make the porn film, which he turns into a musical called "Halloween in the Barracks," he must deal with a temperamental actor, a fundamentalist preacher, and other obstacles.

My Conversations on Film

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.