The film is composed of receding planes in a landscape: a back garden and the houses beyond. The wooden lattice fence, visible in the image, marks the border between enclosed and open, private and public space, and forms both a fulcrum for the work and a formal grid by which the shots are framed and organised.
Maria steps into her mother's apartment, a bittersweet journey down memory lane. The rooms echo with the echoes of her childhood, as she spots the familiar furniture and treasured trinkets. Loneliness settles in, a quiet companion. She recalls the days when her mother's voice would call out her name, back by their favorite tree, in simpler times.
Bastien and Ségard decide to leave France for Canada. They buy tickets aboard a rickety craft, the Tenacity, that never quite seems able to leave port. While stuck there they both fall for the innkeeper's daughter, which causes them to rethink their Canadian notions.
Wing Foot is a Navajo educated in an otherwise all-white school. He experiences prejudice from both the whites (because of his race) and the Navajos (who disown him because of his upbringing). Thus, Wing Foot is looked upon as neither Indian nor white, but simply a "redskin".
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
A crime saga unfolds when a humble high school news broadcaster is revealed to be the most notorious criminal in the world. Out of revenge, he takes his Co-anchor hostage for experimentation of his master plan, only for it to become a deadly game of cat and mouse filled with treachery, clones, and murder.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
Deep in the jungles of central Africa, a lone figure moves swiftly through the trees. Often heard, sometimes seen, but never forgotten, the legend of Zambo is about to become real! In another life he was framed for a murder he didn't commit and left to rot in a filthy African prison, only to deftly escape into the wilderness. Friend to both man and animal, Zambo selflessly protects the African people from the oppressive forces of the outside world. As the legend of Zambo becomes too big to ignore, an expedition led by explorers Professor Woodworth, Perkins, and Juanez presents Zambo with his greatest fear: discovery. With only his strength, wits, and the help of the jungle itself, Zambo is in for the fight of his life!
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Sparta Academy is the nation's top prep school, where students with poor grades undergo frightening torture under the school headmaster's direction. Kekko Kamen makes her appearance at the school in outrageous attire, completely naked except for her red mask, boots and gloves, and attacks the torturing teacher.
In this film several objects make paintings on an empty canvas, which all turn into photos and films.
It is said that the brightest lights burn out the fastest, and the explosive flash that was ECW is headed for the twilight in 2000. The company would collapse in early 2001 and we will join Justin Credible to walk down the plank toward the end of an era. Credible would wear the ECW title in 2000 and complete the journey he calls the most creatively satisfying time in his career. Put this one at the right end of the DVD shelf as we detail the closing chapter on the federation that changed the game. The renegades would leave behind a wrestling legacy like no other as ECW fades with very little fanfare…in this edition of Timeline!
Behind the scenes of the filming of the sequel to the ground breaking drama Queer As Folk.
A young woman living on a Caribbean island is searching for her father who is lost at sea. When her estranged family come to help, she must confront their dark past and this new family she never expected to embrace.
While in competition for a job promotion, the female competitor sues her male counterpart for sexual harassment. Blackmail and murder follow closely behind.
Ancestral follows a giant anteater as it moves through a jungle, its silky coat contrasting with the rough shrubbery. A native to Brazil, and a national symbol for the country, our protagonist carries a small child on its back, eating ants from the ground with its long, tubular snout and picking at the dirt with its claws. The film refuses any particular temporality, as the creature evokes those that have roamed the earth for centuries. In titling the film Ancestral, Roque aligns the animal as a familial forebear—majestic, androgynous, gentle, and sculptural.
At fifty Louis Gravet, a serious actor, would like to become a comedian. His brother Peter, a film director, has the idea of hiring him for the lead role of a comedy. Family circumstances, their wives, their children, niece, lead him to make another film, new and unexpected.
Screen adaptation of two works by science fiction writers: “Noise Level” by Raymond Jones and “Shadow of the Past” by Ivan Efremov.
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