Nebi Surreli lives in poverty along with his mother. Doing small jobs to earn a living, he also helps his town's communist unit.
In the mountains of Northern Albania, a young man seeks revenge for his father's death. The murderer has disappeared a few months ago and the police is still looking for him. The young man kidnaps the killer's only son and raises him up until he reaches his 16th birthday, when according to the Kanun, the Albanian law of revenge, a child becomes a man and he is allowed to kill or to be killed.
A follow up to the 1978 documentary. Wherein we take a look at the kids who were sent to a prison and were subjected to the words of the convicts in the prison in hopes of getting them to go straight. We get a look of how they are doing. We also look at some of the convicts. How some of them got out but ended up back in prison.
Peter Tscherkassky condenses the long history of railways in the movies into a rousing blast for the senses in a heartfelt tribute to another legend of experimental cinema Kurt Kren.
The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.
Salve, a content barrio lass, is married to Alfred, an aspiring politician. Alfred meets Via finds out that they can both be very useful to each other's lives. He is set on pursuing a political career and Via is from a powerful political family that wants to continue to govern the land. Together, Albert and Via plan a scheme to get rid of Salve. But Salve survives the carnage. Salve takes revenge.
Alzheimer's is a documentary about a disease that affects more and more people. The disease can't be taken lightly. Sadly, Alzheimer's and other dementia affect nearly every family in some way. The most renowned doctors and researchers tell us what they know about the condition so far. The film is also trying to help those who have little or no knowledge of the disease and don't know where to find support. We wanted to show how vulnerable human life can be. Memories, intellect, and personality-all can be lost due to this cruel disease. We don't really understand what happens inside the person or how this disease develops. What we see is the personality disintegrating, and the person becoming 'someone else'. Positive examples are also shown in the film- well-functioning care settings in France and Hungary and loving families caring for their loved ones.
Stuck in a loveless marriage to intellectual George Tesman, the ambitious Hedda Gabler hungers for a life her husband can't provide. Then a former flame, the successful Eilert, enters the picture, violence and blackmail aren't far behind.
A young, self-destructive Montana Blackfoot Indian, his mind groggy with alcohol and tormented by childhood memories, discovers that his wife has left him, taking with her his prize rifle. He sets out to find her, but what he's really searching for is his own uncertain identity and a glimpse of salvation.
Rasmus is a commissioning editor prepared to go to lengths to keep people happy - which is just what he has to do, because Rasmus has a problem. He can't say no. To his ex-girlfriend who wants a baby or his new girlfriend, who wants things clear cut, or his author pal, who wants to write for a limited audience, or his new boss, who wants to publish sex guides.
In the wake of last week’s Backwoods Bloodbath (review here) release, MVM offer up another similarly abysmal slice of no-budget drudgery in the form of Razor’s Ring. Here the story follows protagonist Scott (Casey), a businessman out for his morning run when he comes across ruthless ex-con couple Razor and Julie (Schilens and Wharton). After witnessing them callously run over a dog on the road, Scott has a gun pulled in his face and is forced to join them on their Death Race 20000-inspired joy ride as the pair attempt to gain a better “score” than their partner.
A man finds out that his wife wishes he would act more like his twin brother, so he decides to impersonate his twin in an attempt to determine his wife's fidelity.
Dad Iván, is the testimony of the daughter of a Montonero guerilla leader that died during combat: Iván Roqué, the Iván in the title and father of the director. The documentary exposes in a moving way the difficult relationship between a daughter and her heroic, mythified father. At the same time it also becomes not only the reflection of a daughter but of an entire generation, about the feelings of abandoment, abscense, the tragedy, the exile and death. Feelings, ideas, dreams and facts are confronted. Tears are shed as much as admiration is expressed for the father, he is questioned as strongly as he is veneered.
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