Two silent movie actors escape from their film. Forced to find a way to survive in the real world, they will only cause troubles to the people they will meet along the way.
A poster worker must remove the poster of the original movie, when the figures of Renato and Paolo suddenly moves and leaves the poster driving an ambulance dressed as nurses.
An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.
In this second episode Dalmazio and Egisto come, respectively, from the prison and the insane asylum. They risk a second arrest for their awkwardness so they return from their "uncle" who is willing to help them.
Ciottoli is a journalist with absolutely no prospective for his career, with a lot of debts and a mobster that want him died. Unexpectedly he win the national lottery (almost Eur 2.5 Mln) and try to remain unanimous hiding the winner ticker into his typewriter. Ironically his director order to him to write an article on the mysterious winner. When he is back home he discovers all his furniture has been confiscate and will go on a public auction. He will try desperately to buy back the worthless typewriter while all his previous problems still follows him, especially the mobster...
Government agents find evidence of extraterrestrial life at the South Pole.
Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young robber who takes his side.
An impotent husband is inspired by the bull that he inherited from his father and finds the lost virility.
2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.
A man is forced to completely change his habits when he decides to move from the country to the city.
Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?
Fracchia is desperate: he has to sell a house with at least five bathrooms within three days or his boss will fire him. Incredibly, he and his pal Filini manage to find the perfect house, a castle in Transylvania owned by some count Vlad... things get even worse when they meet the Count and his sister, who has a crush on Fracchia and decides to marry him!
People are dying mysteriously and gruesomely, and nobody has a clue what the cause is. Only health worker Mike Brady has a possible solution, but his theory of killer slugs is laughed at by the authorities. Only when the body count begins to rise and a slug expert from England begins snooping around does it begin to look like Mike had the right idea after all.
Frenetic in its pacing and with miniscule character development, this trite slapstick farce stars three Italian comics - Paolo Villaggio, Lino Banfi, and Massimo Boldi as the idiot-nephews of a wealthy invalid (Enrico Maria Salerno). The uncle's plan is to teach the trio how to successfully steal for a living but the plan does not have a chance against their exaggerated ineptitude.
Two not very clever young doctors open a fitness center and promise to let people lose seven kilos in seven days. When the enterprise fails they open a gourmet restaurant.
Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.
Cristina is a rich, spoiled princess visiting Rome with her royal parents. The mission of their visit is to marry her off to a super-wealthy corporate type and thereby start to turn around the losses their small kingdom is experiencing in its casino business. These less-than-noble intentions get derailed when Barnaba, a zany bus driver enters their lives and falls madly in love with the gorgeous Cristina. He is nuts enough to succeed in this romantic chase after royalty, as love seems to fuel his determination to rid Cristina of her elitism and to make her see his own irrepressible attractions.
In the barracks of the "Settecamini" fire brigade in Rome, the shabby Squadra 17 tackles missions with resounding failures, waiting in vain for a chance for redemption.
One by one, with a sweet but inexorable rate, Ugo's colleagues, go to a better life. When Ugo is attending at one of the innumerable funerals, he and the priest remain involved in an accident. The doctor says that Ugo as only one week left to live
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