Returning to her childhood home after many years, Penelope is tormented by a monster that she thought had vanished long ago.
In a cold and cramped basement, at the far end of the dark place, a housewife is about to make a grisly discovery.
During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?
Call-center workers receive a phone call from God.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
The sequel of the first one
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
Dorota Geller, a married woman, faces a dilemma involving her sick husband's prognosis. Her husband's doctor, who believes in God, sweared about it in vain.
Chandru's friends make fun of him as he does not have a girlfriend. He points out at a girl claiming that she is his girlfriend, due to which a number of unfortunate events take place in her life.
Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.
Annie, a young schoolteacher struggling to solve the brutal murder of her father, unwittingly summons the "Candyman" to New Orleans, where she learns the secret of his power, and discovers the link that connects them.
After the Civil War, a former Union colonel searches for the two traitors whose perfidy led to the loss of a close friend.
In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.
A comedy that pays tribute to the science fiction genre -- specifically, the sub-genre of time travel. But here the alternate reality is contemporary New York City where past and future experiences of trust, commitment and denial are cleverly put to the test. Just as Ruby is beginning to relish her first-ever healthy relationship, Sam begins muttering about being a time traveler from the year 2470.
Locked in an austere country house, headstrong and spirited Alice yearns for the freedom of the forest. But as Alice discovers the power of seduction, it is more than just her desire that is awakened… Adapted for the screen by Laura Scrivano. Based on Noel Coward's Alice Is At It Again.
A joint task force operation between the Drug Enforcement Administration and the U.S. Army has been formed to dismantle one of the largest drug cartels operating in South America. Multiple attempts to assault the cartel's mountainous compound have been thwarted by a Scorpion-attack helicopter piloted by a cartel leader, Eric Stoller (Bert Rhine). After having several aircraft shot down, most notably a pair of UH–60 Black Hawks and their AH–1 Cobra escorts, the army turns to the new AH–64 Apache attack helicopter, which can match its enemies' maneuverability and firepower.
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