A journalist becomes a vigilante in order to bring down a chain-snatching gang, unaware of the fact that his younger brother is a part of it.
A couple finds their child missing and the woman who stole the baby goes into coma. Eight years later, four kids from an orphanage go to a summer camp. And one of them is the lost baby!
This is Egypt and one of its symbols, Sad Al-Ali, the massive wonder that is the high dam of Aswan. With a first-person narrative in a soft, husky voice, the film explores the memory of the Nile Valley to tell the story of Lake Nasser and the ecological and human consequences of this construction. Floods caused by the Ethiopian rains spread the silt and evacuated the algae. The order of nature was disrupted, the salt rose and cracked the earth, the crops burned. Sea water reached the water tables. The Nubians fled the valley engulfed by the waters, leaving behind their villages and their culture. Twenty-five years after the construction of the dam, there is no longer any coherence between the lower valley and the Nile. The city of Cairo has expanded, a heterogeneous development where human pollution overflows. The film is a bitter reflection on a lost human philosophy, a dialogue constantly renewed with the land and its river.
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
If films are memory, what happens when a film is lost? If films exist only in the memory of those who were able to see them, does the filmmaker who created them even exist? Bitterness and nostalgia cut with discarded frames, Gustavo Valle saves shelved and dampened traces of film confirming that: "It was", that "It existed", that "It exists", that "It is".
Working in a coal mine Morgan suspects that his fellow miner is losing his mind as he often rambles about seeing 'The Black Goddess' who haunts the workings and demands a sacrifice...then a pitfall occurs and terrifyingly he does not seem so mad after all.
Shows a number of bathers enjoying a dip in the surf. A young lady is suddenly seized with cramps, throws up her hands, and goes down for the second time. A life boat approaches and one of the life guards seizes her by the hair as she sinks for the last time. She is pulled into the boat and rowed ashore. The picture then dissolves showing the beach, the half drowned girl being carried from the boat to the dry sand. A crowd gathers. The girl is finally restored, and is so overjoyed that she hugs the heroic life guard.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
Two Look-A-Like women play a dangerous identity game orchestrated by a manipulative mind.
A drunken war correspondent, a prostitute and happy-go-lucky Italian GI barely escape a bombing of Manila, only to realize that the island they land on has been captured by the Japanese. They hook up with a band of Allied survivors and attempt to escape.
Oasis: Familiar To Millions captures the first show of Oasis' two night stand at Wembley Stadium in London!
Interviews involving the short film They Came from the Attic, with members of the cast and crew.
Burial Rites become the mise-en scene in which politicians, the media, a monk and an infuriated neighbour vividly portray the aftermath of an accident.
After one is arrested - possibly unjustly - for murder, the lives of two brothers spiral out of control.
Zoska, is an attractive, well-educated and hard working woman who doesn't want to be stereotypically labeled by modern world. When she gets fired her world collapses, now she must realize what she really wants from life.
Jerry heads out to his night job: drummer for an all-mouse rock band in the basement of a high-rise. They are loud enough to wake up Tom, despite his attempts to block the noise. Tom's attempts keep running him afoul of a rather mean-tempered dog.
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