Free Range (2016)

Scooby-Doo! and the Robots

3 robot-themed episodes from various Scooby-Doo series. First stop is Cyber Gulch, where the Mystery, Inc. gang must solve the riddle of the man-a-trons or get terminated in Go West, Young Scoob. En route to Florida, Freddy runs into a real Monster Truck at a championship stock car race in Gentlemen, Start Your Monsters. Buckle up for a roller-coaster ride of fun and fear in Foul Play in Funland when the gang discovers a fully operated amusement park...with nobody in it! Will they find the phantom in the Hall of Mirrors? Stay tuned for more escapades with Scooby-Doo - and watch out for those robots!

J. Lo: Let's Get Real

Her talents go from acting, to fashion, dancing and singing. With a net worth over 250 million dollars, J.Lo has conquered the Latin American and pop music scene. From the streets of the Bronx to the red carpets of Hollywood, she has achieved more than most would dream for. Follow the story of one of the most talented and successful women in showbiz. The real Latina diva, Jennifer Lopez.

Forest

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A Christmas Story Live!

A live broadcast of the Broadway hit "A Christmas Story: The Musical" in which Ralphie wishes for nothing more than a Red Rider BB Gun for Christmas.

Bridges-Go-Round 1

New York City's various bridges transform into an urban jungle (jazz version) or an alien landscape (electro-acoustic version).

Horse Boobs

Pferdebusen (Horse Boobs) is the fifth part of a series based on Arthur Schnitzler’s Dream Story. In the text, Katrina Daschner is interested in the ambiguity of fiction and reality, and the tension of unrealized sexual desires. She deconstructs this framework in her development of queer relationship scenarios. In Pferdebusen the filmmaker masterfully succeeds in staging the ruptures and irritations that are so essential for showing and wanting, with subtle humour and grandiose human and non-human actors.

Lakshmi Nivasam

Lakshmi Nivasam is a 1968 Indian Telugu drama film released on Jul 19, 1968. The film is directed by V. Madhusudan Rao.

Runner

At War as at War

The film tells about the fighting everyday life of the crew of self-propelled guns during the liberation of Right-Bank Ukraine. Junior Lieutenant Maleshkin, an unshooted graduate of the school, commands the crew of the self-propelled gun SU-100. All the subordinates of Maleshkin are older than him and much more experienced. The authority of the young commander is tested at every step, he quarrels, then reconciles with his crew. In addition, Maleshkin is very dissatisfied with the battery commander, he now and then threatens to remove the sluggish young officer from the command. In the crew of Maleshkin, various troubles constantly occur: either the driver will catch the commandant’s eyes in an untidy, grimy look, then a combat grenade with a dropped check will be discovered in the car, or a breakdown will occur just at the moment the regiment enters the march. Ending in a sprawling battle against German forces.

Enough Praying

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

A Little Comfort

Arnaud and Guillaume are in their last year of high school. Summer is approaching and like any teenager, they're thinking about cigarettes, alcohol and sex. But boys or girls? Future looks so blurry when you're a teenager!

DuckTales: De Micro-Ducks

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A day at the factory. Bekel is called to the boss. Through a chain of events the two men are forced to examine their place in this world.

Extraordinary Mission

An undercover police officer attempts to take down a drug trafficking syndicate from the inside.

Our Time, Our Story

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.