Beginning of the story of the all-known football-headed boy. (Hey Arnold)
Arnold, a school kid with a vacant stare and hair sticking out, takes the bus to school. He sits idly through lessons. Then, it's time for band, where he plays the piccolo. He daydreams through the Vienna waltz, imagining himself ice-skating, and sending the school bully into the cold water by cutting a circle through the ice around him. The band plays a second song, and Arnold imagines spring. The music ends, the room empties except for Arnold. The teacher says, "Arnold, everybody's gone to recess."
Jeong-won, who forgot the past and lives a peaceful marriage, receives a phone call from the police one day. The man who sexually assaulted her has been caught and the news shakes up the couple’s life and breaks down their daily lives.
Documentary about children stolen during Argentina's dictatorship that collects testimonies from kidnapped between 1976 and 1983. During these years, thousands of people were kidnapped and murdered with impunity. In many cases, the state appropriated the newborns of pregnant women at the time of his abduction. The disappearance of 500 children is one of the darkest legacies of this period. However, the tireless work of the Grandmothers of the Plaza de Mayo became possible that a hundred of these children were returned to their families.
'Behind the Scenes Concert Footage' of Suzuki Kanon's 2016 Spring "~EMOTION IN MOTION~ Sotsugyou Special" Concert Tour, Revisited 2.
Four women are waiting for the blue circle and a possible change of their lives.
Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.
At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
The plot is based on the dramatic fate of the Red Army commander Aleksei Ivanovich Pavlov. Having been captured in January 1942 and being among the displaced persons, he didn't immediately decide to return to the USSR. Having rolled around the foreign country for 17 years, Aleksei nevertheless returned to his homeland. He goes to his brother in the south of the country to Sevastopol. Aleksei accidentally meets the doctor Anna Andreyevna, who was saved from death in besieged Leningrad. She travels by car from Moscow and also to the south, with her daughter Tanya; she suggests he join them. Aleksei tells about his life on the road.
What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.
Salvatore Di Donato is one of the most feared and respected members of the Mafia in Naples. His wife, Assuntina, is a young theater actress. During a pilgrimage to Madonna of the Arch, Salvatore and Assuntina meet Margaret, a woman proud and beautiful. Salvatore falls in love with her, leaves Assuntina and goes to live with his new love. Margaret, however, is a strong woman, free, resistant to bring controlled by Salvatore, and ultimately he is forced to return home, ridiculed in the eyes of all.
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