Officer Zhilin, a Caucasus officer, receives a letter from his mother and returns home. He and another Russian officer are attacked by mountaineers, and Zhilin is captured without ransom money.
A story of heroic Russian war cruiser 'Varyag'.
The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.
A behind-the-scenes look at the making of "Dracula" (1979).
Stuck in a loveless marriage to intellectual George Tesman, the ambitious Hedda Gabler hungers for a life her husband can't provide. Then a former flame, the successful Eilert, enters the picture, violence and blackmail aren't far behind.
When a female barn-owl's home - an old disused barn - is demolished, she has to seek a new place to live. On the way, flying through forests and across grasslands, she encounters most of the common owl species in Central Europe.
Can someone (or in this case, PWG, the best professional wrestling organization in the known universe) really "sell out" on three different occasions? Well, apparently it can happen!
Sports photographer Amy Boyd's biological clock is ticking as she approaches the big 40. Nevertheless, her desire for a child is great, but she just can't get pregnant. She decides to go to a fertility clinic, but her partner Derek is not very enthusiastic about it. However, Amy is so desperate to have a child that she would go it alone. She is hoping for the support of her mother Libba, who also raised her alone. However, the death of her husband Jay almost 40 years ago still affects her, which is why she doesn't think much of Amy wanting to have a child from an unknown donor.
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.
Platinum hitmakers Matchbox Twenty hit the stage and tell the tales for the groundbreaking VH1 series, "Storytellers." Starting with their 1996 debut, "Yourself or Someone Like You," Matchbox Twenty has built a devoted following that continues to grow with each new record and tour. Filmed at New York City's Chelsea Piers, Matchbox Twenty perform their many hits including a stripped-down version of the timeless "3 A.M." with Rob Thomas at the piano. Songs: Bent, Mad Season, Black and White People, Push, If You're Gone, Crutch, Lonely Weekend, You Won't Be Mine, Rest Stop, 3 AM.
About small-time gangster Asakichi's chaotic life in the 1930s. His gambling addiction means that he must not continue working in the family business. Instead he supports himself by arranging cockfights. He becomes ex-geisha Okinu's patron and lover, and falls directly into disfavor with the yakuza.
A love triangle set in the heart of Mexico City where an impulsive egocentric TV producer, an ambitious neuroscientist, and a police detective desire love, and look for it in all the wrong places.
This movie was to be as absurd as Antfarm Dickhole, but Bill Zebub’s research inspired new story ideas. This will still be an unusual tale, but it will be a bit deeper than planned. Then again, Bill Zebub usually adds deeper levels for those who want to explore. It might be safe to call this a spoof of occult horror. That was the original idea. It is more than a parody however.
Documentary about the Egyptian club Al-Ahly achieving the title of the African Champions League for the ninth time (2020) after failing to achieve the title since 2013, and the film revolves in several chapters between failure and fear until we reach the title.
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