The Corrs talk about writing and recording their third studio album, In Blue. Features song performances and interviews. Taken from the Live at Lansdowne Road concert DVD
VH1 Presents: The Corrs, Live In Dublin is an album which is a live performance performed by the Irish celtic folk-rock band, The Corrs in Dublin, Ireland who are accompanied by the Irish Film Orchestra. The Corrs have performed previous released songs with a slight remix into it. Also, this album highlights include two duets with Bono of U2 — performing Ryan Adams' "When the Stars Go Blue", and the Lee Hazlewood/Nancy Sinatra classic "Summer Wine". The Corrs also perform Jimi Hendrix's "Little Wing", featuring a guitar solo by Ronnie Wood who later also performs alongside them for the Rolling Stones song "Ruby Tuesday".
Kizhakkunarum Pakshi is a musical film about film industry and the life and struggling of music directors, singers etc.
A behind-the-scenes look at the making of "Dracula" (1979).
Sparkling performances by Judy Garland, Lena Horne, Al Jolson, the teenage Dorothy Dandridge and the flash-dancing Nicholas Brothers light up this great documentary that originally aired on educational television. Using rare and never-before-seen footage, singer-pianist and musical historian Michael Feinstein hosts an informative look at the composers and lyricists who wrote America's standards from the 1890s through the mid-1950s.
A keen Scots golfer wrecks his host's house.
After returning home from being a prisoner of war Viktor gets a job from his friend Rolf with whom he had served. The men trust each other until Viktor meets Rolf’s wife Astrid.
Visionary satire by Nikolai Khodataev.
On the way to the market, the Israeli chicken farmer Marziano and his Romanian worker are stopped at a new roadblock. Marziano, the farmer, finds himself confronted with Nabil, a former worker in his stalls, now a police commander. In the burning heat of a merciless sun, it ends in a cockfigh
Adi is a perfect husband, father, friend, colleague, and son. He will comply with every wish and whim they all may have. No one listens to him, but he never complains. Until one fateful visit to a doctor that made his world fall completely apart.
Binsar, a final year law student, son of Saelan, owner of the Metromini Bus business, recently lost his bus due to traffic violations. Binsar is involved in a complicated love affair with the spinster Sofia, the nephew of the famous Turpin's lawyer. Binsar and Sofia try to return their love in the midst of their respective problems.
Two parka-adorned silhouettes engage in a barely-audible conversation about Snapchat, grades, money, and other unintelligible topics, until one notices something on the other's glasses. It is not ice.
An abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result. The muderer, Laiu, likes to take photos of the victims dismembered bodies as momentos. Inspector Lee is called onto the case in this bizarre thriller.
A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake.
Sean O'Malley, a struggling Irish musician, writes an album for the love of his life in an attempt to redeem himself, with the help and hindrance of his misfit band mates.
A judge flees the pressures of professional and family life for a job as a short-order cook.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
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