Med rett til å kapre (2013)

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Med rett til å drepe

Norwegian Sci-Fi short based on William Tenn's short story "Time in Advance". In the far future a law is passed enabling citizens to serve out sentences for crimes they intend to commit, serving the full term, but with a 50% pre-criminal discount. Post-criminals and pre-criminals alike are sent to carry out hard-labour on hellishly perilous, far-flung Convict Planets. Few return. Those pre-criminals who are not killed, drop out before their terms are up, with nothing but scars and nightmares to show for their troubles. Two pre-criminals however manage against all the odds to serve out two full terms for murder, and return to Earth as minor celebrities, with the right to kill one person each.

Modern Talking: The Final Album - Ultimate DVD

1 You're My Heart, You're My Soul 3:15 2 You Can Win If You Want 3:53 3 Cheri, Cheri Lady 3:19 4 Brother Louie 3:44 5 Atlantis Is Calling (S.O.S. For Love) 3:07 6 Geronimo's Cadillac 3:16 7 Give Me Peace On Earth 3:53 8 Jet Airliner 4:11 9 In 100 Years 3:52 10 You're My Heart, You're My Soul '98 3:24 11 Brother Louie '98 3:28 12 You Are Not Alone 3:25 13 Sexy Sexy Lover 3:04 14 China In Her Eyes 3:10 15 Don't Take Away My Heart 3:26 16 Win The Race 3:36 17 Last Exit To Brooklyn 3:16 18 Ready For The Victory 3:31 19 Juliet 3:36 20 TV Makes A Superstar 3:43

Detective Dee and the Great Illusionist

Hug an Atheist

A documentary film about atheism in the USA, dispelling the myths and untruths following ordinary American atheists on their journey through life.

The Hunchback of Notre Dame

Esmeralda, a beautiful gypsy street dancer, arouses the desire of men, especially of Claude Frollo, the archdeacon of Notre Dame. The latter asks Quasimodo, the deaf and deformed bell-ringer of the cathedral, to kidnap the girl. Quasimodo, who has been adopted by Frollo and obeys his every word, captures the gypsy but she is saved thanks to Phoebus, a handsome captain, and his archers. Arrested by Phoebus, the hunchback is condemned to be flogged at the pillory. When Esmeralada, moved to pity by his lot, gives him water to drink, Quasimodo falls in love with her. Later, Phoebus is stabbed to death and Esmeralda is wrongly accused of the murder. Sentenced to hang, she is saved by Quasimodo who offers her asylum and... the love of his heart.

Great White Fight Club

Experts set out to prove that female great white sharks rule the ocean.

Finding Uranus

A young "incel" man embarks on a futuristic jerk-off session.

The Key Man

An insurance salesman gets mixed up with two gangsters in effort to make more money and provide for his family, but things don't go as he planned.

Gasherbrum IV - Montagna di Luce

Il triciclo

Hijabers in Love

Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.

Veraneo en España

The Tracker

Spears, a private detective working in L.A. receives word from an old friend that the friend's sister (and Spears' ex-girlfriend), Kim, has been kidnapped by a criminal gang. At first, Spears doesn't want to get involved, especially when he finds out that his friend's family is mixed up with the Chinese Mafia, but the feelings he still has for Kim lead him to return to New York and try to rescue her. When he arrives, he learns that Kim is caught in the middle of a war with the Russian Mafia, and that her life now depends on him.

Mozart: Le Nozze di Figaro

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.