Max and Sally, the heroes of popular Czech animated series are leaving the TV in order to become a regular boy and girl.
An adaptation of Ottfried Preussler's popular children's book.
A young photographer's home is haunted by it's former residents.
A VIDEO ART WORK IN FIVE CHAPTERS. 1. Six young men walk into a forest in Taiwan, making close contact with ferns. They establish emotional and physical relationships with the plants, relying on their bodies rather than words. Ferns are very common in Taiwan. They are valued by indigenous people but not by Japanese colonists or the Nationalists. 2. A man makes love to a bird's nest fern and then starts eating it. Zheng reflects on our current moral outlook that it is “natural” to eat plants but “unnatural” to make love to them. Bird's nest fern is a popular delicacy in Taiwan. 3. Zheng collaborates with three local BDSM practitioners who in turn collaborate with three fern species to expand BDSM practice. 4. For centuries humans have been in love with furled fronds of young ferns. Inspired by Yaoi anime, this chapter follows a young couple in their acts of love with fiddleheads. 5. This chapter connects spores and sperms.
A turbulent day in a life, painted by air.
An artist's painting comes to life, and haunts him.
In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.
The interweaving stories of seven very different people in the cosmopolitan city of Glasgow who decide that, in their pursuit of love, it is time to try something new. Little do they know that after one night of speed dating their lives will take dramatic new twists - and we'll be there to witness each and every one of them.
The 2018 comedy skit "The Geeky Interview" by Anivesh Soni is a humorous take on comic-book films in an office setting, with unexpected twists and turns keeping the audience guessing.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Tom chases Jerry into a bottle of invisible ink, and the now-invisible Jerry proceeds to have fun torturing Tom.
There are old stories of children disappearing by the river's edge. It's haunted Otoha ever since her friend Jiro went missing when she was young. Now she is back in her hometown covering the war, and she feels as though something is calling to her.
A set-up for an experiment in an empty room. Former inmates reconstruct an Israeli secret service interrogation centre. These Palestinian men use role play to come to terms with their memories and the humiliation they have experienced.
Trinetra is the story of revenge of a son, who lost his honest father, to a group of evil minds. It is the story of a son's infinitive love for his mother, who lost her husband. It is the story of a son's revenge on his father's killers.
Exotismos arises from Yoná's ambition to confront stereotypes associated with beauty and aesthetics, which explore the insecurities of self-esteem. With an artistic approach, she creates cuts and colors that transcend visual changes. In a vibrant and intimate setting, the film portrays dialogues and transformations that reveal not only the expression of hair, but also the individuality of dissident bodies in the cultural effervescence of the capital of Goiás.
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