Standing by a movie theater – recently renovated but desolate – a filmmaker approaches people in the street to speak with them about cinema. Thus, an "Algerian reality" is highlighted by spontaneous conversations and improvised situations.
Blå, a "leftie" politician, connects with a woman on an app. The are both in "the closet" and don't know much about each other. They decide to meet. When Blå comes to Rødt's apartment, Rødt recognizes her right away. Blå is a controversial politician from an opposing party. They are both taken by surprise by the encounter, and their meeting doesn't seem to go so well. Slowly, to their own surprise, they start to connect and leave their prejudices aside (with the tiny «aid» of alcohol).
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
It is a cine comedy following "The Lady from the town". Olga is getting ready to go to a meeting of the district women activists, where she will relate her own experience in the struggle against conservative concepts. During a warm atmosphere, Olga sings the first lullaby to her newborn nephew: "Once upon a time there was an Olga who posed as a lady.Time passed by and the lady has become one of us, a comrade from the country"
1985. Georges is a born market vendor. As a driven salesman he sells anything, anytime, to anyone. When he hears that the Pope is coming to Belgium, he smells his chance. In addition to the grounds, where tens of thousands of believers will attend an open-air mass, Café Derby is for rent. Georges is sure to earn a small fortune. But his wife and five children are not convinced. It would be another move in too short a time. But as George puts his mind to something...
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.
A shy student suddenly becomes the center of attention when she wins a huge birthday party that she never asked for.
Cleo lives in Marseilles and works as a waitress in a waterfront dive. A stranger entices her into coming to Paris to take dancing lessons, but instead she is taken to a baron, who betrays her. In spite of this inauspicious start, Cleo becomes a successful and renowned actress, but her feelings about men have never recovered. She loathes them and uses them only for the money they offer her, which she then hands over to a penniless girl.
A boy and a girl coming from different worlds fall in love. When summer is over, they will face the shackles of their normal routine and discover what binds them and what breaks them apart.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
An American photographer runs into an old flame while on assignment in Paris.
In 2005, to raise money for Comic Relief, Walliams and Lucas made a special edition of the show, dubbed Little, Little Britain. The episode included a variety of sketches with celebrities including George Michael, Robbie Williams and Sir Elton John
Mexican feature film
A safe cracker claims he has lost his memory when two criminals come calling for their cut of the bank heist loot.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.
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