The cunning Cardinal Richelieu must save King Louis XIII from treachery within his inner circle.
A judge hands four wayward boys to a college football coach who turns them into backfield stars.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
Esmeralda, a beautiful gypsy street dancer, arouses the desire of men, especially of Claude Frollo, the archdeacon of Notre Dame. The latter asks Quasimodo, the deaf and deformed bell-ringer of the cathedral, to kidnap the girl. Quasimodo, who has been adopted by Frollo and obeys his every word, captures the gypsy but she is saved thanks to Phoebus, a handsome captain, and his archers. Arrested by Phoebus, the hunchback is condemned to be flogged at the pillory. When Esmeralada, moved to pity by his lot, gives him water to drink, Quasimodo falls in love with her. Later, Phoebus is stabbed to death and Esmeralda is wrongly accused of the murder. Sentenced to hang, she is saved by Quasimodo who offers her asylum and... the love of his heart.
A beautiful planet where the weather is always fine, money grows on trees and the traffic lights are always green. Yet there is something wrong.
Oakland bluesman Sonny Rhodes sings “Cigarette Blues”: a musical warning that compares cigarette smoking with playing with a loaded gun.
A maniac killer returns to the scene of a ten-year-old crime, only to find the ghost of a murdered servant girl waiting to exact her revenge.
Sous un ciel changeant. Jean-Claude Rousseau uses his signature black frames to create Durasian elisions between painterly, Corot-conjuring tableaux.
Original 1973 short promotional documentary on the making of the 8th James Bond movie Live and Let Die (1973).
Concerned parents hire a private detective to tail their son because they think he might be gay.
A funny comedy about a battle for a chairmanship of condo association. AKA Condo Mishmash
A resentful entity continues to come back to the Saha World in search of his lost love while battling against the secret guardians of the world. He fails his plan of trying to stay in this world but finds the true solution to his vengeance.
When Mickey burst onto the scene in the classic Steamboat Willie, he not only stole our hearts, but went on to bring joy to generations. This collection from Walt Disney Animation Studios celebrates Mickey’s cartoon legacy with favorites spanning nearly a century including Brave Little Tailor, Pluto’s Party, Get A Horse! and more. 13 Short Films: Steamboat Willie, The Brave Little Tailor, Pluto’s Party, Get a Horse, The Band Concert, Mickey’s Rival, Thru the Mirror, Boat Builders ,Mickey’s Trailer, Tugboat Mickey, The Little Whirlwind, Mickey’s Birthday Party, The Simple Things
Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.
In early 1963, Toots Mondt and Vincent J. McMahon seceded from the governance of the NWA to form the WWWF. Shortly thereafter they would crown their champion and hang the fortune of their venture on him. That man will be your guide for a journey back to 1963 and the formative years of the WWWF up through 1969. Bruno Sammartino was selling out houses all across the northeast and was privy to all the inner workings of the company.
Picture Abhi Baki Hai is the journey of Amar Joshi (Sunil Shetty) who runs a video library in banaras and aspires to be a film maker. Despite facing objection from his father Amar Joshi decides to sell his video library and joins a film Institute in London. After completing his course he lands in the city of dreams "Mumbai" to make his film. Suraj (Rajpal Yadav) is a struggling actor doing bit roles in T.V. serials, who Is Amar's only connection in Bollywood. Amar Joshi starts his struggle to make his film by meeting different type of producers who have their own take on Amar's story. After many failed attempts He finally bumps into Monty Chadda (Rakesh Bedi) a P.R. Publicity man who sees good potential in Amar and decides to produce his film. Amar & Monty take help of star secretary Guptaji (Akhil Mishra) to convince Mohini (Udita Goswami) & her starry mother Mummyji (Neena Gupta) who agrees to do the film.
A centuries-lasting relationship between Ayesha and her oft-reincarnated true love. She, H. Rider Haggard's fanciful novel about the immortal queen of a lost tribe, has been filmed at least 10 times, with seven versions emerging between the years 1910 and 1930.
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