The film centers around two hijackers that take over a plane. The problem is: The airplane is not carrying a billionaire as planned, but otherwise is carrying a group of smart children.
Emma Bovary is bored by her country doctor husband and gives in to the affections of several rich suitors as well as the temptation of living beyond her husband's means.
"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.
A maniac killer returns to the scene of a ten-year-old crime, only to find the ghost of a murdered servant girl waiting to exact her revenge.
On the night that Bo finds his boyfriend Sun cheating on her, she befriends Louis, a professional swindler who ends up recruiting her to join his entourage.
A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
Esmeralda, a beautiful gypsy street dancer, arouses the desire of men, especially of Claude Frollo, the archdeacon of Notre Dame. The latter asks Quasimodo, the deaf and deformed bell-ringer of the cathedral, to kidnap the girl. Quasimodo, who has been adopted by Frollo and obeys his every word, captures the gypsy but she is saved thanks to Phoebus, a handsome captain, and his archers. Arrested by Phoebus, the hunchback is condemned to be flogged at the pillory. When Esmeralada, moved to pity by his lot, gives him water to drink, Quasimodo falls in love with her. Later, Phoebus is stabbed to death and Esmeralda is wrongly accused of the murder. Sentenced to hang, she is saved by Quasimodo who offers her asylum and... the love of his heart.
"Unbelievable" Zorori is a prankster fox determined to become the Prince of Mischief, with his very own castle and beautiful bride. While is notorious for his prank-making schemes, his ill-meaning plots often backfire against him, and can usually end up even benefiting or cheering up his targets, much to his dismay. Nevertheless, Zorori has the wits and intelligence to wriggle out of the tightest of all spots, and journeys with a pair of twin boars, Ishishi and Noshishi, in order to fulfill his long wished-for goal and at last prove to his deceased mother, Mama Zorori that he truly holds the potential to achieve his dreams.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
A young woman is brought before a prosecutor after stealing food. She is defended by Julio, a university professor who decides to exhibit her as an example in his class on the theory of theft. Then he hires her as a housemaid. Her face and charms won’t only save her family from serious quandaries; they will also inspire the professor’s love.
A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
Documentary included with the DVD Rush in Rio (2003). Provides an almost hour-long look at the band and its crew during the final dates of their 2002 Vapor Trails Tour, specifically their first-ever Brazilian shows in Porto Alegre, Sao Paulo, and Rio de Janeiro. Behind the scenes footage shows the band weathering the rigors of a sometimes comically catastrophic tour, with their innate humor and grace. This documentary, by longtime Rush photographer Andrew MacNaughtan, shows the band and crew at their most light-hearted, though still thoughtful. We see the band's arrival in Brazil, to the unexpected onslaught of Brazillian fans boiled over in the culmination of a lifetime's anticipation. Following this are insights from the band and their crew, which provide a view into their longevity as well as ample evidence of the individual strengths and varied senses of humor that helped them achieve it.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
Director Humberto Solas, along with the leading ladies Raquel Revuelta, Eslinda Nunez and Adela Legrá, recall important moments of this classic of Latin American cinema "Lucia" (1968).
Spencer and Bru break into his HQ and capture notorious drug lord Manuel Santiago of a DEA Agent. Santiago's angered assistant, Mason Lee, takes the school hostage where Kelly is teaching and Jessica is one of the students in attendance in retaliation to Santiago's capture. Alison, knowing a way in, joins Spencer and Bru in the rescue.
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