A homeless wanderer just happens across various articles of clothing that make him resemble Charlie Chaplin much to the amusement of passersby.
Jane, with plain looks but a heart of gold, is always in between jobs. Once she gets a job, her knack for creating awkward situations immediately loses it for her. Ricky is her suitor, but he gets nowhere as the girl has no time for love. So Ricky goes along with her in job hunting. Somehow, Jane lands on a job as governess. Not to a child, but to an uncouth very old, very rich man who still wants to lead the life of his poor, uncivilized youth. His son is now running the old man's millions. He wants to bring up the father the civilized way. And he wants to take over the whole city through take-over deals. He is ruthless and has thrown thousands into the streets.
An unschooled young man, one of the countless victims of Mao's Cultural Revolution, is laboring in the countryside when he is assigned to teach in a nearby school. Gradually, he abandons the Maoist textbook and encourages the barely literate kids to write about their own lives and feelings.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
8mm film by Swiss artist Roman Signer.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.
Cromwell is a town whose history is intertwined with that of a local legend; The Pumpkin Man. Most people don't believe the tales, but when Catherine Quinn discovers the missing piece of the legend, she and her friends will come face to face with the Demon of Fall... Kürbis.
At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Armed with venomous spines, invisible to its prey, a pack hunter who terrorizes other fishes - watch the stunning adventures of lionfish. Get to know the fish's prowess to dominate the oceans, to the extent that its invasion endangers local marine life!
A well-known intellectual is married to a woman who is obsessed with his wealth and power. He brings in a retired police officer to help him write his latest book. In the ensuing events, an affairir develops between the police officer and the professor’s wife.
Data Field is the first in the trilogy of film essays focussing on Soviet and post-Soviet media technologies acting as media mythologies. The rituals, artefacts, and visuals of Soviet modernity, mapped onto a family history, become entry points into the role of technology in the constructions of the future.
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