Hosted by composer & arranger extraordinaire David Foster, the Concert for World Children's Day. Recorded at the Arie Crown Theater of the McCormick Place in Chicago, USA on September 14, 2002.
A small-screen adaptation of Denver’s biography focuses on how Denver seemingly lived for one thing only: the approval of his Air Force pilot father. Even if this telepic had stuck to the facts, it could have created a far warmer portrait of a man whose simple and uplifting songs became his passport to the world.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.
A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.
Disowned in the past by his father, Kurt Menliff, a cruel and sadistic nobleman, returns to the family castle to reclaim his inheritance.
The R of the title stands for the young protagonist, Rune, fearlessly played by Pilou Asbæk. Imprisoned for violent assault, he's a cocky, good-looking young man placed in the hardcore ward, where his survival depends on quickly learning the prison's parallel world of rules, honor, and obligations. R also stands for Rachid, a young Muslim prisoner who becomes Rune's friend and accomplice, defying the rigid racial stratifications among the inmates.
Six vignettes pit an assortment of characters against each other in everyday situations.
For more than 15 years, two Marseille friends and criminals battle the law, rival gangs, prison authorities and even mined beaches in order to survive.
Eun-sik tries to pass the state exam while studying in college after his military service. One day, he meets a beautiful woman Eun-hyo, and his life changes.
A grieving young inventor finds solace in repairing an antique typewriter.
When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.
The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
As viable water is depleted on Earth, a mission is sent to Saturn's moon Titan to retrieve sustainable H2O reserves from its alien inhabitants. But just as the humans acquire the precious resource, they are attacked by Titan rebels, who don't trust that the Earthlings will leave in peace.
A son in denial of a serious illness. A mother facing the unbearable. And between them a doctor fighting to do his job and bring them to acceptance. The three of them have one year and four seasons to come together and understand what it means to die while living.
Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.
The escape of Bubber Reeves from prison affects the inhabitants of a small Southern town.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
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