After a 22 years marriage, a couple shows the signs of a crisis. She thinks he has a lover, and it actually seems so, but does the other woman really exist?
Marguerite receives as a gift from a filmmaker friend: a very modern, automatic camera, complete with remote control. Her life will change dramatically, as the machine reveals to her not only her husband's betrayal with her best friend, but also the desolation of her own existence.
Then one day, her daily life suddenly changes. Unknown creatures fly out from a large number of spheres sent from outer space and begin to parasitize and manipulate human beings. The parasites not only move in strange ways, but some of them also exhibit extraordinary physical abilities. Trapped in a building at work, Shang and his colleagues discover that the space creatures are vulnerable to cigarette smoke. But that was only the beginning of the fight to the death. Smokers vs. space creatures, who will survive? Shang's cry echoes through the air. "Breathe in the smoke and go to hell!"
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
Esmeralda, a beautiful gypsy street dancer, arouses the desire of men, especially of Claude Frollo, the archdeacon of Notre Dame. The latter asks Quasimodo, the deaf and deformed bell-ringer of the cathedral, to kidnap the girl. Quasimodo, who has been adopted by Frollo and obeys his every word, captures the gypsy but she is saved thanks to Phoebus, a handsome captain, and his archers. Arrested by Phoebus, the hunchback is condemned to be flogged at the pillory. When Esmeralada, moved to pity by his lot, gives him water to drink, Quasimodo falls in love with her. Later, Phoebus is stabbed to death and Esmeralda is wrongly accused of the murder. Sentenced to hang, she is saved by Quasimodo who offers her asylum and... the love of his heart.
"WE ALL PLAY" addresses the reality of the LGBTQIA+ community in sport. In a trip around the world, we will meet outstanding world elite athletes, who will talk, many of them for the first time, about their personal and professional experiences in first person.
The film is divided into five parts differing in pictorial and musical structure. The plot, two women and their love for one another, is of secondary importance. An ingenious combination of stereoscopic images and montage of individual pictures make new qualities of perception accessible to the viewer. In the final part of the love scenes pictorial sequences and music build up to a delirious rhythm.
A “Reel” Good Time Get star struck at Disney’s Hollywood Studios when you join your best pals for a one-of-a-kind animated short featuring everyone’s favorite mouse and his leading lady. Everything at this Hollywood theater is inspired by Mickey and Minnie – from fun, colorful architecture and framed movie posters, to hidden surprises just waiting to be discovered. The show, Vacation Fun, celebrates Mickey and Minnie’s favorite vacation memories, with never-before-seen animation mixed with clips from favorites like Panda-monium, Couples Sweaters, Potatoland, Croissant de Triomphe, Entombed, Dumb Luck, Al Rojo Vivo, Yodelburg and Outback at Ya!.
The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.
A 1982 disco competition hosts the true and unlikely romance between Premi and Vasu — one an outsider from a tiny island in Africa and the other a show-off from a high caste family. With one in the audience and one dancing on stage, Premi and Vasu spark a romance that embodies the humanity and hope of those monikered as “immigrants” years before their eventual journey to the West.
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
Samvel Ginovyan talks about the difference between churches, the infantile nature of parents, Turkmenistan and dictators, family happiness, raising two sons, and much more.
Picture Abhi Baki Hai is the journey of Amar Joshi (Sunil Shetty) who runs a video library in banaras and aspires to be a film maker. Despite facing objection from his father Amar Joshi decides to sell his video library and joins a film Institute in London. After completing his course he lands in the city of dreams "Mumbai" to make his film. Suraj (Rajpal Yadav) is a struggling actor doing bit roles in T.V. serials, who Is Amar's only connection in Bollywood. Amar Joshi starts his struggle to make his film by meeting different type of producers who have their own take on Amar's story. After many failed attempts He finally bumps into Monty Chadda (Rakesh Bedi) a P.R. Publicity man who sees good potential in Amar and decides to produce his film. Amar & Monty take help of star secretary Guptaji (Akhil Mishra) to convince Mohini (Udita Goswami) & her starry mother Mummyji (Neena Gupta) who agrees to do the film.
Late 17th century. With no access to the sea, Russia suffers great losses in foreign trade. Peter tries to capture the Turkish fortress of Azov, but with no success: he can win only if he has a fleet. Peter’s ukases provoke the Boyars’ indignation. Europe looks in amazement: the Russian tsar begins to work at a Dutch shipyard learning the subtleties of shipbuilding?! But his training is cut short. Peter has to return to Russia in order to brutally suppress the Streltsy rebellion organized by his sister Sophia.
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.
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