Leroy Bassett and his dim-witted brothers go on the lam after freeing their friend Keema from jail.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
"I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space in the movement from the three-dimensional to a plane and back again." Takashi Ito
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
A safe cracker claims he has lost his memory when two criminals come calling for their cut of the bank heist loot.
In 2005, to raise money for Comic Relief, Walliams and Lucas made a special edition of the show, dubbed Little, Little Britain. The episode included a variety of sketches with celebrities including George Michael, Robbie Williams and Sir Elton John
Payton becomes the caretaker of Gregory Devereaux, a wealthy man facing his final months. As they become close, Gregory's past sins force Payton to decide between his dreams and a pregnancy that could squander them all.
Six vignettes pit an assortment of characters against each other in everyday situations.
FROM ACCLAIMED INDIE SHORT FILMMAKERS, THE VARAVA BROTHERS, COMES THE WHIMSICAL AND HISTORICALLY ACCURATE TALE OF ONE TUMBLEWEED THAT DID NOT TUMBLE.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
Con man Ray Elliot decides to leave crime behind to start a company that sells fake alibis to clients who have been unfaithful to their significant others. It seems that the streetwise Ray has found his calling, until he unexpectedly becomes a murder suspect in a case involving one of his most influential customers. Now, as the police and an assassin called "The Mormon" track Ray, he and his attractive assistant, Lola, must clear their own names.
The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.
8mm film by Swiss artist Roman Signer.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.
2112; the summer before Akane Tsunemori was assigned to Division One of the Public Safety Bureau's Criminal Investigation Department. Teppei Sugo, an accomplished pilot of the Defense Army's 15th Integrated Task Force, joins the military operation in Okinawa. Three months later, an unmanned combat drone opens fire on the Ministry of Defense in Tokyo. Enforcer Tomomi Masaoka of CID Division One is dispatched to Sugo's military base to investigate the truth behind this case.
Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.
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