Director: Søren Fauli Drama Also known as: The Cable Club
A pair of octogenarians meet, fall in love, and have a passionate love affair, much to the horror of their disapproving children.
Zack and Sham are two youngsters who love drift racing. Even though drift racing is usually seen as a male pursuit, Zack’s girlfriend enters and becomes competitive in drifting.
I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.
Dylan, a young man with a beautiful and carefree life, runs, along with his best friend Mike, the "Break-Up Club", a private club that offers assistance to help cope with the breakup. Things are going well until Zoë, a journalist and former employee of the club, starts writing a compromising article about the "Break-Up Club".
SSS is composed from footage of movement improvised on the streets of pre-gentrified East Village by Sally Silvers, Pooh Kaye, Harry Shepperd, Lee Katz, Kumiko Kimoto, David Zambrano, Ginger Gillespie, Mark Dendy, and others, painstaking synched to music previously improvised for the project at Noise New York by Tom Cora (cello), Christian Marclay (turntables), and Zeena Parkins (harp). Beauty emerging from rubble. (Henry Hills)
A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.
This disc includes the following episodes: "Fire Heart," "Petrified Xander" and "Scaredy Cat." Also included is the bonus episode "Ranger Down."
Ella – well she has a name too – Luna (Patricia Garza), is actually about her much older husband and painter Alfredo (Paul Vega), and his choice of actions/reactions after she decides to leave him for a lover that he wasn’t aware of. Alberto has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession – capturing with camera her every movement in the house when she’s not posing for him, and memorising her every physical feature, moles and warts included – he’d apparently counted twenty seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman…
"The image is universal; the country of origin is Israel, confirming that its young are not different from others elsewhere. The atmosphere is cool, modern, Western; the decor utilitarian, the style avant-garde. Nothing detracts from the soft abandon of the scene. This film is banned in Israel. And who said that Israel cannot make sex films? Yet the contrasting myths of Israel as an idealistic society given to righteous self-improvement or a militarist-orthodox state bent on self-aggrandizement are so strong that this work comes as a surprise. Its manifold copulations, sophisticated stance, avant-garde modernity, and political thrusts stamp it as the testimony of a new generation. One sequence: "A vision of the Virgin Mary waiting for the Holy Ghost to do his thing, as Avidan's voice sings a tearful Yiddish refrain and Joseph the Carpenter bangs on the door, before going to take his vengeance by building a cross."" — Amos Vogel
The former dancer Christine Sims when she temporarily returns to her hometown for the Fall Festival and learns that her family's General Store is struggling. In order to help save the business, Christine will need to dust off her dancing shoes and face her ex-fiancé — and she may even find love in the process.
When two acrobats are fired for fighting with punks in the audience, they go to live with an aunt who's being pressured to sell her house for a real estate development. The developer's nasty son, Lee Fu, decides to muscle the sale, and soon he's at war with the acrobats, plus their unlikely ally, an American named John who used to be Lee Fu's friend. The acrobats open a kung fu school, the scene of several battles with Lee Fu's thugs. A fight to the death, jail time, auntie's surprise decision, a budding acting career, a possessive girlfriend, a debilitating injury, a friendship that needs recalibrating, and Lee Fu's avenger are all in the mix before the end.
Based on the model of documentary fiction (alternating period films, interviews and re-enactments with actors), the film begins on September 8, 1961 with the failure of the Pont-sur-Seine attack on a road convoy carrying Charles de Gaulle, then President of the Republic, and continues with the slow preparation, the occurrence and the consequences of the Petit-Clamart attack on August 22, 1962.
Romance book editor Eve agrees to housesit for her bestselling novelists, sharing the home with Jake, a self-help coach who needs the space to host romantically themed workshops for Valentine's Day.
Hwa-ja has been raising three daughters alone in Busan after her husband passed away. One day, the second daughter Hye-young comes back to Busan after having continuous setbacks in Seoul. While spending time with her mom, she accidently sees a letter written in Japanese, which triggers her curiosity. She starts to ask Hwa-ja about her past life and gets to know new stories of her mother that she had never heard of.
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